Pamela Anderson donned a sophisticated all-black attire to attend the Hamilton Behind the Camera Awards, which were held at the Hollywood Athletic Club in Hollywood on Thursday.

The 57-year-old Baywatch alum – who ‘doesn’t have a stylist’ – tucked a white-collared blouse into a hip-hugging, flared maxi-skirt and pumps.

A closer look at Pamela’s understated ensemble revealed she was actually layering the silky top over a second red blouse.

Anderson had a fresh-faced look with defined pencil-thin brows, a bit of blush, and lipstick.

The Canadian-American beauty was at the ceremony presented by Variety in order to honor Francis Ford Coppola’s granddaughter Gia Coppola, who directed her in The Last Showgirl over an 18-day shoot.

Pamela Anderson donned a sophisticated all-black attire to attend the Hamilton Behind the Camera Awards, which were held at the Hollywood Athletic Club in Hollywood on Thursday

Read More Pamela Anderson stars as Vegas performer in The Last Showgirl trailer

Pamela has received the best reviews of her acting career as seasoned showgirl Shelley, who must plan for her future when her Las Vegas revue abruptly closes after a 30-year run.

The Last Showgirl – hitting US theaters January 10 and UK theaters February 28 – also stars Jamie Lee Curtis, Kiernan Shipka, Billie Lourd, Dave Bautista, Brenda Song, and Jason Schwartzman.

Anderson already won prizes for her gritty performance at the Zurich Film Festival, SCAD Savannah Film Festival, and Miami Film Festival.

The Sonsie Skin co-founder will next compete for the outstanding lead performance trophy at the Gotham Awards in New York City on December 2.

‘After I had almost given up [on acting], Gia Coppola recognized that hunger in me and helped me dust off the cobwebs of a dream I had almost forgotten,’ Pamela said onstage.

‘Reigniting the flame in me. Saving my life. Forever grateful that she cast me as Shelley in The Last Showgirl.’

Anderson added: ‘Gia is the epitome of an actors director…I am proud to honor Gia Coppola tonight who is spearheading the next generation of filmmakers with kindness and style, storytelling with gentle unforgettable grace – so needed in this world.’

The 15-time Playboy cover girl made sure to pose with the man of the hour, Hamilton Watch CEO Vivian Stauffer, whose company created Behind the Camera Awards in 2006. 

The 57-year-old Baywatch alum – who ‘doesn’t have a stylist’ – tucked a white-collared blouse into a hip-hugging, flared maxi-skirt and pumps

A closer look at Pamela’s understated ensemble revealed she was actually layering the silky top over a second red blouse

Anderson had a fresh-faced look with defined pencil-thin brows, a bit of blush, and lipstick

The Canadian-American beauty was at the ceremony presented by Variety in order to honor Francis Ford Coppola’s granddaughter Gia Coppola (R), who directed her in The Last Showgirl

Pamela has received the best reviews of her acting career as seasoned showgirl Shelley, who must plan for her future when her Las Vegas revue abruptly closes after a 30-year run

The Last Showgirl – hitting US theaters January 10 and UK theaters February 28 – also stars Jamie Lee Curtis, Kiernan Shipka, Billie Lourd, Dave Bautista, and Brenda Song

Anderson already won prizes for her gritty performance at the Zurich Film Festival, SCAD Savannah Film Festival, and Miami Film Festival

Pamela said onstage: ‘After I had almost given up [on acting], Gia Coppola recognized that hunger in me and helped me dust off the cobwebs of a dream I had almost forgotten. Reigniting the flame in me. Saving my life’

 

Anderson made sure to pose with the man of the hour, Hamilton Watch CEO Vivian Stauffer (L), whose company created Behind the Camera Awards in 2006

Usually, the awards show celebrates the visionary artists behind the scenes, but they made an exception for Ryan Reynolds this year.

The Canadian 48-year-old was being honored for co-writing the screenplay for ᴅᴇᴀᴅpool and Wolverine (which amᴀssed $1.3B at the box office) alongside Rhett Reese, Paul Wernick, Zeb Wells, and Shawn Levy.

Vamping it up on the black carpet was Elle Fanning, who took the plunge in a LBD with leather sleeves and slingback pumps selected by stylist Samantha McMillen.

Hairstylist Jenda Alcorn coiffed the 26-year-old Emmy nominee’s side-parted flaxen bob and her longtime make-up artist Erin Ayanian Monroe applied generous blush and a red pout.

In fact, hours later, Elle (born Mary) posted a PJ-clad selfie captioned: ‘Ready for bed but don’t want to take my makeup off!’

Fanning was at the Behind the Camera Awards to present costume designer Arianne Phillips with a trophy for her work in Searchlight Pictures’ fully-authorized Bob Dylan biopic, A Complete Unknown.

The former child star shared a pᴀssionate embrace with the 61-year-old former celebrity stylist, who had a jaunty white cape on the back of her black dress.

Elle portrays Sylvie Russo, a thinly-veiled version of the late artist Suze Rotolo, in the film hitting US theaters December 25 and UK theaters January 17.

Usually, the awards show celebrates the visionary artists behind the scenes, but they made an exception for Ryan Reynolds this year

The Canadian 48-year-old was being honored for co-writing the screenplay for ᴅᴇᴀᴅpool and Wolverine (which amᴀssed $1.3B at the box office) alongside Rhett Reese, Paul Wernick, Zeb Wells, and Shawn Levy

Vamping it up on the black carpet was Elle Fanning, who took the plunge in a LBD with leather sleeves and slingback pumps selected by stylist Samantha McMillen

Hairstylist Jenda Alcorn coiffed the 26-year-old Emmy nominee’s side-parted flaxen bob and her longtime make-up artist Erin Ayanian Monroe applied generous blush and a red pout

In fact, hours later, Elle (born Mary) posted a PJ-clad selfie captioned: ‘Ready for bed but don’t want to take my makeup off!’

Fanning was at the Behind the Camera Awards to present costume designer Arianne Phillips with a trophy for her work in Searchlight Pictures’ fully-authorized Bob Dylan biopic, A Complete Unknown

The former child star shared a pᴀssionate embrace with the 61-year-old former celebrity stylist, who had a jaunty white cape on the back of her black dress

Elle portrays Sylvie Russo, a thinly-veiled version of the late artist Suze Rotolo, in the film hitting US theaters December 25 and UK theaters January 17

While onstage, Fanning revealed that when she met Arianne, at age 13, on a pH๏τo shoot she realized she was ‘in the presence of a genius’

The Georgia-born blonde gushed: ‘This was our first time doing a movie together. And I remember squealing like schoolgirls at our first fitting. We were so excited it was finally happening’

Kristen Wiig wore a b&w polka-dot fringed frock with green fringed statement earrings selected by stylist Penny Lovell

The 51-year-old Oscar-nominated screenwriter and Sean Douglas (L) were honored for co-writing the song Harper and Will Go West for the Netflix transgender documentary Will & Harper starring former SNL head writer Harper Steele (M)

Kristen said onstage: ‘I’m really honored to be just a little part of it…I don’t have jokes or anything funny to say. This is really heartwarming and working on the song with Sean was really meaningful and creative’

While onstage, Fanning revealed that when she met Arianne, at age 13, on a pH๏τo shoot she realized she was ‘in the presence of a genius.’

‘This was our first time doing a movie together,’ the Georgia-born blonde gushed.

‘And I remember squealing like schoolgirls at our first fitting. We were so excited it was finally happening. And watching her work on set was truly nothing short of awe-inspiring.’

Kristen Wiig wore a b&w polka-dot fringed frock with green fringed statement earrings selected by stylist Penny Lovell.

The 51-year-old Oscar-nominated screenwriter and Sean Douglas were honored for co-writing the song Harper and Will Go West for the Netflix transgender documentary Will & Harper starring former SNL head writer Harper Steele.

‘I’m really honored to be just a little part of it,’ Kristen said onstage.

‘I don’t have jokes or anything funny to say. This is really heartwarming and working on the song with Sean was really meaningful and creative.’