Jurᴀssic World: A New Era (2025) – Detailed Review

Overview

Jurᴀssic World: A New Era (2025) is the latest entry in the Jurᴀssic Park franchise, taking the story to new and uncharted territories. Directed by Colin Trevorrow, who helmed Jurᴀssic World (2015) and co-wrote Jurᴀssic World: Dominion (2022), this film serves as a bold reinvention of the series, exploring the consequences of humans and dinosaurs living together in a world forever altered by prehistoric creatures. With the premise of a world where dinosaurs have been unleashed into various ecosystems around the globe, A New Era aims to bring fresh stakes, new characters, and thrilling adventures while continuing the legacy of the iconic dinosaur franchise.

This latest chapter in the Jurᴀssic World saga promises an even deeper dive into the conflict between humanity’s desire to control nature and the wild, untamed forces of the prehistoric world. As the world grapples with the reality of dinosaurs roaming free, this movie introduces new ecosystems, new species, and a growing realization of how humanity must adapt to coexist or face extinction.

Storyline

The film begins several years after the events of Jurᴀssic World: Dominion (2022), where dinosaurs now inhabit various regions of the Earth. With governments struggling to contain the spread of these prehistoric creatures, a new organization called the Global Dinosaur Council (GDC) has been formed to create “sanctuaries” where humans and dinosaurs can live in controlled environments. However, not everyone agrees with this idea of cohabitation, and rogue factions have formed, seeking to either exploit the dinosaurs for profit or eliminate them altogether.

Claire Dearing (Bryce Dallas Howard) and Owen Grady (Chris Pratt), along with their adopted daughter Maisie Lockwood (Isabella Sermon), are now living in hiding after their past involvement with the dinosaur crisis. But their lives are turned upside down when a mysterious new corporation called Pangea Technologies introduces an ambitious project: to genetically engineer new hybrid dinosaurs, capable of surviving in the wild and becoming part of the food chain.

This sparks a new global conflict, as the project begins to spiral out of control. A new breed of hybrid dinosaur, a super-intelligent apex predator known as the Tyrannosaurus Imperius, is unleashed on a vast, untamed wilderness in New Zealand—one of the world’s most pristine ecosystems, now turned into a sanctuary where dinosaurs roam freely. Dr. Ellie Sattler (Laura Dern), Dr. Alan Grant (Sam Neill), and Dr. Ian Malcolm (Jeff Goldblum) are brought back into the fray to help navigate the growing crisis, but they must also confront the ethical and moral implications of human interference in nature once again.

As new threats emerge, the team must work together to stop Pangea Technologies’ plans, protect the delicate balance between nature and humanity, and ensure that both dinosaurs and people can coexist—or face the catastrophic consequences of tampering with genetic engineering.

Characters and Performances

• Owen Grady (Chris Pratt) – Owen’s character returns as the rugged, dino-whispering hero. In A New Era, he is forced to reconcile his past actions and his responsibility toward his daughter, Maisie. Pratt brings his signature humor and charm to the role, but his character has evolved into a more mature, protective father, adding emotional depth to his action sequences.
• Claire Dearing (Bryce Dallas Howard) – Claire is now a more experienced leader and protector. As a key figure in the fight for dinosaur rights, her character arc involves grappling with her past mistakes and learning how to balance her pᴀssion for dinosaurs with the reality of a world that’s too dangerous to control them. Howard continues to embody Claire with heart and grit.
• Maisie Lockwood (Isabella Sermon) – Maisie, now a young woman, has grown up amidst the chaos caused by her genetic origins. Her role becomes more prominent as the film explores her connection to the dinosaurs and her potential as a bridge between human and dinosaur cohabitation. Sermon plays Maisie with a mix of strength and vulnerability, grounding her character in the emotional stakes of the film.
• Dr. Alan Grant (Sam Neill) – The iconic paleontologist returns for a new adventure. Grant’s character finds himself once again at the center of a world filled with dangers from the past, and his evolving views on dinosaurs make him one of the film’s emotional pillars. Neill brings both wisdom and dry wit to the role, offering fans a nostalgic yet relevant perspective on the ever-changing nature of the Jurᴀssic universe.
• Dr. Ellie Sattler (Laura Dern) – As an environmental scientist, Ellie is deeply invested in the ethical implications of living with dinosaurs. In A New Era, she acts as both a scientist and a moral compᴀss, challenging the corporate interests that seek to profit from genetic manipulation. Dern gives an empathetic, yet pragmatic performance, anchoring the film’s exploration of ecological balance.
• Dr. Ian Malcolm (Jeff Goldblum) – The ever-wise, ever-sarcastic Dr. Malcolm is back, offering his signature quips and insights into the dangers of genetic engineering. Goldblum’s return brings humor and intellectual depth, while also giving audiences the philosophical perspective on the chaos that continues to unfold.
• Dr. Thomas Ryker (Matthew McConaughey) – Ryker, a new antagonist in the series, is the CEO of Pangea Technologies, a charismatic but morally corrupt leader who seeks to profit from the chaos he’s helping create. McConaughey’s performance is both compelling and menacing, as his character is driven by a twisted sense of progress and control over nature.

Action and Visuals

As expected from a Jurᴀssic film, A New Era is packed with thrilling action and jaw-dropping visual effects. The film introduces new and terrifying dinosaur species, including the Tyrannosaurus Imperius, a genetically engineered hybrid that combines the intelligence of a velociraptor with the brutal power of a T. rex. These new creatures bring an added sense of danger and unpredictability to the world, and the action sequences are heightened by their ferocity.

The visuals are stunning, with lush landscapes like the wilds of New Zealand and other exotic locations serving as the backdrop for some intense, heart-pounding dino-chases. There are also scenes where the natural world collides with the urban environment, like a dinosaur stampede through a bustling city or high-tech facilities under siege by mᴀssive creatures.

The special effects are state-of-the-art, bringing these prehistoric beasts to life with more realism than ever before. The filmmakers also make use of practical effects, particularly in close-quarter scenes, where actors are interacting with animatronic or digitally enhanced dinosaurs, enhancing the tension of these encounters.

Themes and Direction

Jurᴀssic World: A New Era continues to explore the central themes of the Jurᴀssic franchise: the dangers of genetic manipulation, humanity’s hubris, and the ethical implications of tampering with nature. The film questions whether it’s possible for humans and dinosaurs to coexist peacefully, or if humanity will always be driven by greed and the desire to control nature for profit.

The film also dives deeper into the idea of legacy—both the legacy of the dinosaurs and the legacy of human intervention. Claire, Owen, and the original characters reflect on their past choices and how they’ve shaped the world. Maisie, as the hybrid child, represents the future of this world, and the film explores what that future might look like.

Director Colin Trevorrow has once again infused the film with emotional depth, humor, and the breathtaking spectacle that Jurᴀssic World fans expect. There’s a constant tension between the spectacular and the moral, which gives the film both its thrilling action and its philosophical weight. Trevorrow continues to guide the franchise with a steady hand, knowing when to deliver the big thrills and when to step back and focus on the human cost of playing god.

Conclusion

Jurᴀssic World: A New Era (2025) is a thrilling, action-packed return to the world of dinosaurs, blending the franchise’s trademark high-octane sequences with a deeper exploration of the moral and ecological consequences of human interaction with nature. The return of beloved characters, along with the introduction of new ones, creates a fresh yet nostalgic dynamic, while the film’s new dinosaur species and cutting-edge visuals keep the action exciting and unpredictable.

The film continues to ask the important questions: Can humans live alongside dinosaurs? Can we control them, or are we doomed to face the consequences of our own mistakes? Fans of the series will find plenty to enjoy in this latest chapter, and the film sets the stage for future adventures in a world forever altered by the presence of dinosaurs.

A Farmer’s Misplaced Hammer Led to the Largest Roman Treasure in Britain

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November 16, 1992 was the day which changed Suffolk-resident Eric Lawes’ life in a huge way. What he thought would have been an innocent search for a hammer he had misplaced on his farm in Hoxne Village, Suffolk, England ended up bringing him much more than he had bargained for — namely, uncovering the hiding spot of a long-hidden treasure. Based on the Guardian’s coverage of the story, Eric Lawes had been previously gifted a metal detector upon his retirement as a parting token. He decided to put his retirement gift to good use in order to locate the hammer which he had had some trouble finding. According to a 2018 Smithsonian Magazine article, when the device started recording that there was a strong signal coming from the earth, he knew that he was about to discover something big. As he started digging, it soon became clear to him that he had unearthed a treasure trove.

The Guardian reports that, when Lawes saw that his preliminary digging had yielded a few gold coins and silver spoons, he immediately contacted both the local archaeological society and the police department. Archaeologists came to the property the following day and had the area of earth holding the treasure carefully sectioned-off and removed. Their hope was that at a later stage, in their laboratory, they could examined the items in order to identify both their age and how they were stored.

When all was said and done, close to 60 pounds of items made from silver and gold were found on the site. These included more than 15,000 Roman coins, 200 gold objects, and several silver spoons. For archaeologists, this find — which later became labeled as the Hoxne Hoard — was an incredible discovery. AP News reported that archaeologist Judith Plouviez was over-the-moon about the discovery, saying that it was “an incredibly exciting and amazing find.” What’s more, another archaeologist, Rachel Wilkinson, told Smithsonian Magazine that this discovery was “the largest and latest ever found in Britain.”

Ordinarily, archaeologists would use radiocarbon dating as a means of identifying the age of ancient relics. However, they couldn’t locate any suitable material from the haul. Consequently, they determined the age by examining writing on the coins, as well as the ruler carved into them, estimating that the treasure was probably buried in either 408 or 409 AD.

Roman-era archaeologist Peter Guest told Smithsonian Magazine that “if you look at them a little more carefully, then they should be dated to the period after the separation of Britain from the Roman Empire.” He offers as part of his evidence the fact that almost all of the coins found in the Hoxne Hoard were clipped – in other words, small chunks of their edges had been taken off. These clippings would have been used to create coins which were similar to the Roman coins of that era.

Guest has a logical reason for this, arguing that “The Roman Empire wasn’t supplying Britain with new gold and silver coins, and in light of that, the population tried to get over this sudden cutoff in the supply of their precious metals by making the existing supplies go further.”

Archaeologists also believe that the treasure belonged to a Romano-British family. During that time, considering that there was so much societal discord and upheaval, it was common for Romans who had settled in Britain to bury their most prized possessions.

That said, one archaeologist is of the belief that the hoard had a lot of sentimental value for the Romano-British family to whom it is believed to have belonged. In her book The Hoxne Late Roman Treasure: Gold Jewellery and Silver Plate, Catherine Johns claims that the manner in which the treasure was kept supported this claim. Some of the items which were recovered had been packaged in small, wooden boxes which were lined with leather. What’s more, pieces of wood, locks, and nails, among other things, surrounded the gold and silver pieces. This leads Catherine to assert that the package was carefully buried and not simply chucked away in a rush.

Interestingly enough, the items unearthed might shed some light on the identity of the family who owned them. They cite a gold bracelet bearing the inscription “UTERE FELIX DOMINA IULIANE,” which roughly translates to “use this happily Lady Juliane”. A second name “Aurelius Ursicinus” has also been discovered. This has consequently led some to believe that Juliane and Aurelius were the couple and the original owners of the treasure. That said, that has yet to be confirmed.

All in all, the discovery was a real treasure for archaeologists, and by extension, for Lawes. According to Smithsonian Magazine, in recognition of his discovery and willingness to contact authorities, the British government rewarded him with over £1.7 million, an amount which he shared with the farmer whose land was dug out in order to get the treasure. Funnily enough, apart from the treasure, Lawes also found his lost hammer — which now resides in the British Museum.