Outlaws and Angels (2016)

Outlaws and Angels (2016) is a gritty Western thriller directed by JT Mollner that delves deep into the dark underbelly of the Old West. The film masterfully intertwines themes of violence, morality, and family dysfunction, presenting a harrowing tale that keeps audiences on the edge of their seats from start to finish.

The story centers on Henry (Chad Michael Murray) and his gang of outlaws, whose lives take a dramatic turn following a botched bank robbery. Fleeing the relentless pursuit of the law, Henry and his men seek refuge in the remote and seemingly desolate home of the Tildon family. What begins as a desperate bid for safety quickly devolves into a nightmarish ordeal as hidden tensions and dark secrets within the Tildon household come to the fore.

As the night unfolds, the initial vulnerability of both the outlaws and the Tildon family is shattered, revealing layers of betrayal, revenge, and moral ambiguity. The patriarch, George Tildon (Ben Browder), and his daughter, Florence (Francesca Eastwood), emerge as formidable forces, challenging the outlaws in ways that blur the lines between predator and prey. The escalating tension culminates in a series of confrontations that force each character to confront their deepest fears and darkest impulses.


Characters and Performances

  • Henry (Chad Michael Murray): Murray delivers a compelling performance as Henry, portraying him as a conflicted leader torn between his loyalty to his gang and the desperation of their predicament. His portrayal captures the vulnerability and resilience of a man pushed to his limits.
  • George Tildon (Ben Browder): Browder embodies the stoic and authoritative presence of George, the family patriarch. His nuanced performance reveals a man grappling with his own demons while striving to protect his family from external threats.
  • Florence Tildon (Francesca Eastwood): Eastwood shines as Florence, bringing depth and strength to her character. Her portrayal of a fiercely protective daughter adds emotional weight to the narrative, highlighting the complexities of familial bonds under duress.
  • Supporting Cast: The ensemble cast, including [Additional Actors’ Names], delivers raw and authentic performances that enhance the film’s tense and foreboding atmosphere. Each character, whether outlaw or Tildon family member, is meticulously crafted to contribute to the overarching narrative of survival and moral conflict.

Themes and Motifs

Outlaws and Angels navigates a complex web of themes that explore the human condition in extreme circumstances:

  • Violence and Morality: The film examines the thin veneer between civilization and savagery, questioning what drives individuals to commit acts of violence. Both the outlaws and the Tildon family are pushed into morally ambiguous situations, challenging viewers to reconsider notions of right and wrong.
  • Family Dysfunction: At its core, the movie portrays the Tildon family as a unit grappling with internal strife and hidden secrets. This dysfunction becomes a pivotal element in the unfolding drama, highlighting how familial relationships can both empower and undermine individuals.
  • Survival and Revenge: The desperate quest for survival intertwines with the thirst for revenge, creating a relentless momentum that propels the narrative forward. Characters are driven by personal vendettas and the instinct to protect, leading to inevitable clashes.
  • Predator vs. Prey: The dynamic between the outlaws and the Tildon family is a constant battle of wits and strength, blurring the lines between who is the predator and who is the prey. This motif underscores the unpredictability and inherent danger of the Wild West.

Cinematography and Visuals

JT Mollner’s direction is complemented by the film’s striking cinematography, which effectively captures the bleak and unforgiving landscape of the Old West. The use of expansive sH๏τs highlights the isolation of the Tildon homestead, while тιԍнт, claustrophobic framing during confrontations intensifies the suspense and unease.

  • Lighting and Color Palette: The film employs a muted color palette, with earthy tones dominating the scenes, enhancing the raw and gritty aesthetic. Strategic use of shadows and low lighting accentuates the film’s dark themes and heightens the sense of impending danger.
  • Action Sequences: The action scenes are meticulously choreographed, blending realistic violence with stylized elements that amplify the film’s tense atmosphere. The brutal confrontations are both visually impactful and emotionally resonant, reflecting the characters’ internal struggles.
  • Set Design and Locations: The authenticity of the setting is achieved through detailed set designs and on-location shooting. From the rugged exterior of the Tildon home to the desolate surrounding landscapes, every element contributes to the immersive Western experience.

Soundtrack and Score

The film’s soundtrack, composed by [Composer’s Name], plays a crucial role in building tension and complementing the narrative’s emotional arcs. The score seamlessly blends traditional Western motifs with modern orchestration, creating a haunting and evocative auditory backdrop that enhances the film’s dramatic moments.

  • Sound Design: The meticulous sound design captures the subtle nuances of the environment, from the rustling of the wind across the plains to the ominous silence before a confrontation. These auditory elements heighten the suspense and immerse viewers in the film’s atmospheric setting.

Reception and Impact

Upon its release, Outlaws and Angels garnered mixed to positive reviews, with particular praise directed towards its performances and atmospheric tension. Critics lauded Chad Michael Murray and Francesca Eastwood for their standout roles, highlighting the emotional depth they brought to their characters.

  • Critical Acclaim: The film was commended for its unflinching portrayal of violence and moral ambiguity, with many appreciating its departure from conventional Western tropes. The complex character dynamics and intense narrative were noted as strengths that set the film apart.
  • Audience Reception: Audiences were captivated by the film’s relentless pace and the palpable tension that permeates every scene. The raw and gritty depiction of the Old West resonated with fans of the genre, who praised its authentic and immersive storytelling.

  • Cultural Impact: While not a blockbuster, Outlaws and Angels has found a dedicated following among Western enthusiasts and those who appreciate character-driven thrillers. Its exploration of deep-seated themes continues to spark discussions about morality and survival in extreme conditions.

Conclusion

Outlaws and Angels (2016) stands as a compelling entry in the Western thriller genre, offering a raw and unfiltered look at the complexities of violence, morality, and family dynamics in the unforgiving landscape of the Old West. JT Mollner’s deft direction, combined with powerful performances from Chad Michael Murray and Francesca Eastwood, creates a film that is both emotionally charged and relentlessly tense.

The movie’s exploration of the blurred lines between predator and prey, coupled with its unflinching portrayal of human fragility and resilience, makes it a thought-provoking and memorable cinematic experience. Whether you’re a fan of Westerns, thrillers, or character-driven narratives, Outlaws and Angels delivers a gritty and engaging story that lingers long after the credits roll.

🌟 Outlaws and Angels is a testament to the enduring allure of the Western genre, reimagined through a modern lens that highlights the timeless struggles of humanity against the backdrop of a lawless frontier.


Immerse yourself in the dark and intense world of Outlaws and Angels and witness a tale where survival is paramount, and every decision carries the weight of life and death. Prepare for a gripping journey through betrayal, revenge, and the unyielding fight for redemption in the heart of the Old West.

A Farmer’s Misplaced Hammer Led to the Largest Roman Treasure in Britain


Hoxne Hoard treasures. Photo by Helen Simonsson CC by SA-2.0
November 16, 1992 was the day which changed Suffolk-resident Eric Lawes’ life in a huge way. What he thought would have been an innocent search for a hammer he had misplaced on his farm in Hoxne Village, Suffolk, England ended up bringing him much more than he had bargained for — namely, uncovering the hiding spot of a long-hidden treasure. Based on the Guardian’s coverage of the story, Eric Lawes had been previously gifted a metal detector upon his retirement as a parting token. He decided to put his retirement gift to good use in order to locate the hammer which he had had some trouble finding. According to a 2018 Smithsonian Magazine article, when the device started recording that there was a strong signal coming from the earth, he knew that he was about to discover something big. As he started digging, it soon became clear to him that he had unearthed a treasure trove.
Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0
Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0
The Guardian reports that, when Lawes saw that his preliminary digging had yielded a few gold coins and silver spoons, he immediately contacted both the local archaeological society and the police department. Archaeologists came to the property the following day and had the area of earth holding the treasure carefully sectioned-off and removed. Their hope was that at a later stage, in their laboratory, they could examined the items in order to identify both their age and how they were stored.
Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0
Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0
When all was said and done, close to 60 pounds of items made from silver and gold were found on the site. These included more than 15,000 Roman coins, 200 gold objects, and several silver spoons. For archaeologists, this find — which later became labeled as the Hoxne Hoard — was an incredible discovery. AP News reported that archaeologist Judith Plouviez was over-the-moon about the discovery, saying that it was “an incredibly exciting and amazing find.” What’s more, another archaeologist, Rachel Wilkinson, told Smithsonian Magazine that this discovery was “the largest and latest ever found in Britain.”
Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0
Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0
Ordinarily, archaeologists would use radiocarbon dating as a means of identifying the age of ancient relics. However, they couldn’t locate any suitable material from the haul. Consequently, they determined the age by examining writing on the coins, as well as the ruler carved into them, estimating that the treasure was probably buried in either 408 or 409 AD.
The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0
The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0
Roman-era archaeologist Peter Guest told Smithsonian Magazine that “if you look at them a little more carefully, then they should be dated to the period after the separation of Britain from the Roman Empire.” He offers as part of his evidence the fact that almost all of the coins found in the Hoxne Hoard were clipped – in other words, small chunks of their edges had been taken off. These clippings would have been used to create coins which were similar to the Roman coins of that era.
A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0
A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0
Guest has a logical reason for this, arguing that “The Roman Empire wasn’t supplying Britain with new gold and silver coins, and in light of that, the population tried to get over this sudden cutoff in the supply of their precious metals by making the existing supplies go further.”
Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0
Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0
Archaeologists also believe that the treasure belonged to a Romano-British family. During that time, considering that there was so much societal discord and upheaval, it was common for Romans who had settled in Britain to bury their most prized possessions.
Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0
Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0
That said, one archaeologist is of the belief that the hoard had a lot of sentimental value for the Romano-British family to whom it is believed to have belonged. In her book The Hoxne Late Roman Treasure: Gold Jewellery and Silver Plate, Catherine Johns claims that the manner in which the treasure was kept supported this claim. Some of the items which were recovered had been packaged in small, wooden boxes which were lined with leather. What’s more, pieces of wood, locks, and nails, among other things, surrounded the gold and silver pieces. This leads Catherine to assert that the package was carefully buried and not simply chucked away in a rush.
Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum
Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum
Interestingly enough, the items unearthed might shed some light on the identity of the family who owned them. They cite a gold bracelet bearing the inscription “UTERE FELIX DOMINA IULIANE,” which roughly translates to “use this happily Lady Juliane”. A second name “Aurelius Ursicinus” has also been discovered. This has consequently led some to believe that Juliane and Aurelius were the couple and the original owners of the treasure. That said, that has yet to be confirmed.
Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0
Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0
All in all, the discovery was a real treasure for archaeologists, and by extension, for Lawes. According to Smithsonian Magazine, in recognition of his discovery and willingness to contact authorities, the British government rewarded him with over £1.7 million, an amount which he shared with the farmer whose land was dug out in order to get the treasure. Funnily enough, apart from the treasure, Lawes also found his lost hammer — which now resides in the British Museum.

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