Review: The Letter Men (2021)

Written and directed by Andy Vallentine, co-written by Danny Kish, based on the real love letters written by Gilbert Bradley to his sweetheart, Gordon Bowsher during WWII. The letters were uncovered in 2017 and represent the largest known collection LGBTQ love letters from that time period, documenting the two men and their fight to keep their love alive in the face of war and loss. Starring: Garrett Clayton and Matthew Postlethwaite.

The Letter Men (Short 2021) - IMDb

Something that’s clear immediately jumping into The Letter Men is how great it is to see the 1940s framed by queer romance. Stories that are most often told in the modern world, with gay cinema still working its way into the mainstream today, showing again the importance of exploring the history of the LGBTQ+ community. It’s a sweet story and shows the power of love and how it can keep us going even in truly harrowing moments. It also delves into why there’s so few of these letters left, queer people being so afraid of facing homophobia, the resulting violence and being ostracised, that these tender mementos were habitually destroyed. Another reminder of the constant sacrifices made by the gay community throughout history in the name of safety.

The Letter Men (Short 2021) - IMDb

However, the film leans very heavily into its romantic air, to the point that it becomes distracted. It’s trying so hard to expand the size of its production that it takes away from the story. It takes on a highly theatrical style, attempting to bring to life the contents of the letters, but trying to mix the severity of war with their romance is extremely difficult to pull off. Unfortunately, it doesn’t feel entirely successful, with the story being so intimate, and the tone being overtly sentimental, it can’t come to terms with the violent and dangerous themes of war. It also feels like its time was used fairly sparingly, more could have been explored.

Andy Vallentine | The Letter Men

A mix of recreations and recitations are used to bring these letters to life, and both with mixed success. The moments where Garrett Clayton and Matthew Postlethwaite are together are sweet and touching, they have a great chemistry right from the start. The film quickly shifts focus onto Matthew Postlethwaite’s Gordon, providing most of the dialogue, which surprisingly doesn’t feel one sided given that they still share the screen. However, Postlethwaite’s delivery of the letter leaves a little to be desired, the emotion is there but it lacks a crisp, clear pronunciation. Being set in the 1940s, you’d imagine a Siegfried Sᴀssoon-esque delivery; a bold, deep and affecting voice but Postlethwaite can’t quite tap into that. Some of the recreations are also edited together in a romantic montage style which feels unoriginal, skipping from one to the next rather than lingering to let their connection land.

The Letter Men | Rotten Tomatoes

The Letter Men is helplessly romantic, capturing a tender relationship in a time where little was sweet. It’s another great example of the importance of exploring queer history, and not just keeping it squarely in the modern age. It shows the fear that gay people faced, the frantic ways in which they tried to hide their love but also how that love saw them through a terrible time in their lives, and gave them something to hope for. It unfortunately puts too much focus on the theatrics, going big rather than reflecting the intimate nature of the story, and getting side-tracked. It also can’t quite balance the darkness and danger of war with the sentimental nature to its style. Regardless, it’s a lovely change of pace to see a queer story set in the 1940s, especially when it’s true.

A Farmer’s Misplaced Hammer Led to the Largest Roman Treasure in Britain


Hoxne Hoard treasures. Photo by Helen Simonsson CC by SA-2.0
November 16, 1992 was the day which changed Suffolk-resident Eric Lawes’ life in a huge way. What he thought would have been an innocent search for a hammer he had misplaced on his farm in Hoxne Village, Suffolk, England ended up bringing him much more than he had bargained for — namely, uncovering the hiding spot of a long-hidden treasure. Based on the Guardian’s coverage of the story, Eric Lawes had been previously gifted a metal detector upon his retirement as a parting token. He decided to put his retirement gift to good use in order to locate the hammer which he had had some trouble finding. According to a 2018 Smithsonian Magazine article, when the device started recording that there was a strong signal coming from the earth, he knew that he was about to discover something big. As he started digging, it soon became clear to him that he had unearthed a treasure trove.
Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0
Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0
The Guardian reports that, when Lawes saw that his preliminary digging had yielded a few gold coins and silver spoons, he immediately contacted both the local archaeological society and the police department. Archaeologists came to the property the following day and had the area of earth holding the treasure carefully sectioned-off and removed. Their hope was that at a later stage, in their laboratory, they could examined the items in order to identify both their age and how they were stored.
Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0
Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0
When all was said and done, close to 60 pounds of items made from silver and gold were found on the site. These included more than 15,000 Roman coins, 200 gold objects, and several silver spoons. For archaeologists, this find — which later became labeled as the Hoxne Hoard — was an incredible discovery. AP News reported that archaeologist Judith Plouviez was over-the-moon about the discovery, saying that it was “an incredibly exciting and amazing find.” What’s more, another archaeologist, Rachel Wilkinson, told Smithsonian Magazine that this discovery was “the largest and latest ever found in Britain.”
Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0
Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0
Ordinarily, archaeologists would use radiocarbon dating as a means of identifying the age of ancient relics. However, they couldn’t locate any suitable material from the haul. Consequently, they determined the age by examining writing on the coins, as well as the ruler carved into them, estimating that the treasure was probably buried in either 408 or 409 AD.
The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0
The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0
Roman-era archaeologist Peter Guest told Smithsonian Magazine that “if you look at them a little more carefully, then they should be dated to the period after the separation of Britain from the Roman Empire.” He offers as part of his evidence the fact that almost all of the coins found in the Hoxne Hoard were clipped – in other words, small chunks of their edges had been taken off. These clippings would have been used to create coins which were similar to the Roman coins of that era.
A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0
A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0
Guest has a logical reason for this, arguing that “The Roman Empire wasn’t supplying Britain with new gold and silver coins, and in light of that, the population tried to get over this sudden cutoff in the supply of their precious metals by making the existing supplies go further.”
Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0
Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0
Archaeologists also believe that the treasure belonged to a Romano-British family. During that time, considering that there was so much societal discord and upheaval, it was common for Romans who had settled in Britain to bury their most prized possessions.
Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0
Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0
That said, one archaeologist is of the belief that the hoard had a lot of sentimental value for the Romano-British family to whom it is believed to have belonged. In her book The Hoxne Late Roman Treasure: Gold Jewellery and Silver Plate, Catherine Johns claims that the manner in which the treasure was kept supported this claim. Some of the items which were recovered had been packaged in small, wooden boxes which were lined with leather. What’s more, pieces of wood, locks, and nails, among other things, surrounded the gold and silver pieces. This leads Catherine to assert that the package was carefully buried and not simply chucked away in a rush.
Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum
Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum
Interestingly enough, the items unearthed might shed some light on the identity of the family who owned them. They cite a gold bracelet bearing the inscription “UTERE FELIX DOMINA IULIANE,” which roughly translates to “use this happily Lady Juliane”. A second name “Aurelius Ursicinus” has also been discovered. This has consequently led some to believe that Juliane and Aurelius were the couple and the original owners of the treasure. That said, that has yet to be confirmed.
Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0
Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0
All in all, the discovery was a real treasure for archaeologists, and by extension, for Lawes. According to Smithsonian Magazine, in recognition of his discovery and willingness to contact authorities, the British government rewarded him with over £1.7 million, an amount which he shared with the farmer whose land was dug out in order to get the treasure. Funnily enough, apart from the treasure, Lawes also found his lost hammer — which now resides in the British Museum.

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