H๏τel Chevalier (2007)

H๏τel Chevalier is a 2007 short film directed by Wes Anderson, written by Anderson and Roman Coppola. The film serves as a prelude to Anderson’s feature-length film The Darjeeling Limited (2007), but it stands on its own as a deeply emotional exploration of love, loss, and personal introspection. With a runtime of just 13 minutes, H๏τel Chevalier is packed with stylish visuals, sharp dialogue, and emotional depth. The short stars Jason Schwartzman and Natalie Portman, whose performances bring a sense of intimacy and complexity to the film.

Set in a luxurious H๏τel room in Paris, H๏τel Chevalier focuses on the reunion between Jack (Jason Schwartzman) and his former lover, whom he has not seen for years. The film begins with Jack sitting alone in his H๏τel room, listening to music and reflecting on his life. Soon, his ex-girlfriend (Natalie Portman) arrives, and the two engage in a tense and emotionally charged conversation. The short film centers around their awkward reunion, as they navigate unresolved feelings, old wounds, and the pᴀssage of time. The quiet yet poignant dialogue and interactions between the two characters draw viewers into their shared history and complicated relationship.

At the heart of H๏τel Chevalier is the theme of love and the regrets that accompany past relationships. The film explores how love can be both beautiful and painful, and how unresolved feelings from the past continue to affect our lives. As Jack and his ex-lover reconnect, the film reveals the emotional scars they have both carried, particularly Jack, who seems unable to fully move on from their breakup. The film’s minimalistic approach allows these themes to emerge slowly and subtly, leaving the audience to reflect on the complexities of human relationships and the lingering impact of lost love.

Despite the short length of the film, the performances of Schwartzman and Portman are remarkably deep and layered. Jason Schwartzman’s portrayal of Jack is full of vulnerability and awkwardness, capturing the character’s internal struggle and hesitance in facing his past. Natalie Portman’s character is mysterious and composed, but she too shows signs of emotional depth, revealing the pain and longing she still feels. Their chemistry is palpable, and their interaction feels both natural and intense. The film succeeds in creating a genuine sense of intimacy between the two characters, making their unresolved relationship feel real and affecting.


Wes Anderson’s direction in H๏τel Chevalier is characterized by his signature visual style, which includes meticulously framed sH๏τs, symmetrical compositions, and an attention to detail that creates a distinctive atmosphere. The H๏τel room itself becomes a character in the film, with its warm, vintage decor and muted color palette contributing to the mood of reflection and nostalgia. Anderson’s use of music is also notable, with the song “Where Do You Go to (My Lovely)” by Peter Sarstedt playing an important role in setting the emotional tone of the film. The combination of these elements creates a film that is visually striking and emotionally resonant.


H๏τel Chevalier was well received by critics and audiences, particularly for its unique blend of emotional depth and stylistic flair. Many appreciated how Anderson was able to tell a complete and meaningful story in such a short amount of time. The film’s restrained approach to its subject matter, paired with its visual richness, made it a standout example of how a short film can convey profound emotions. While some viewers may have initially seen it as a mere companion piece to The Darjeeling LimitedH๏τel Chevalier has been recognized as a powerful and self-contained narrative about love, regret, and personal growth.


In conclusion, H๏τel Chevalier is a beautifully crafted short film that explores the complexities of love, loss, and personal introspection. Through strong performances, a carefully constructed visual style, and a poignant narrative, Wes Anderson successfully captures the emotional nuances of a brief yet meaningful reunion between two former lovers. The film serves as a reminder of the lingering effects of past relationships and the emotional baggage that can remain long after a love has ended. H๏τel Chevalier stands as a testament to Anderson’s ability to tell deep and affecting stories within a limited timeframe, leaving a lasting emotional impact on its audience.

A Farmer’s Misplaced Hammer Led to the Largest Roman Treasure in Britain


Hoxne Hoard treasures. Photo by Helen Simonsson CC by SA-2.0
November 16, 1992 was the day which changed Suffolk-resident Eric Lawes’ life in a huge way. What he thought would have been an innocent search for a hammer he had misplaced on his farm in Hoxne Village, Suffolk, England ended up bringing him much more than he had bargained for — namely, uncovering the hiding spot of a long-hidden treasure. Based on the Guardian’s coverage of the story, Eric Lawes had been previously gifted a metal detector upon his retirement as a parting token. He decided to put his retirement gift to good use in order to locate the hammer which he had had some trouble finding. According to a 2018 Smithsonian Magazine article, when the device started recording that there was a strong signal coming from the earth, he knew that he was about to discover something big. As he started digging, it soon became clear to him that he had unearthed a treasure trove.
Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0
Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0
The Guardian reports that, when Lawes saw that his preliminary digging had yielded a few gold coins and silver spoons, he immediately contacted both the local archaeological society and the police department. Archaeologists came to the property the following day and had the area of earth holding the treasure carefully sectioned-off and removed. Their hope was that at a later stage, in their laboratory, they could examined the items in order to identify both their age and how they were stored.
Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0
Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0
When all was said and done, close to 60 pounds of items made from silver and gold were found on the site. These included more than 15,000 Roman coins, 200 gold objects, and several silver spoons. For archaeologists, this find — which later became labeled as the Hoxne Hoard — was an incredible discovery. AP News reported that archaeologist Judith Plouviez was over-the-moon about the discovery, saying that it was “an incredibly exciting and amazing find.” What’s more, another archaeologist, Rachel Wilkinson, told Smithsonian Magazine that this discovery was “the largest and latest ever found in Britain.”
Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0
Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0
Ordinarily, archaeologists would use radiocarbon dating as a means of identifying the age of ancient relics. However, they couldn’t locate any suitable material from the haul. Consequently, they determined the age by examining writing on the coins, as well as the ruler carved into them, estimating that the treasure was probably buried in either 408 or 409 AD.
The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0
The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0
Roman-era archaeologist Peter Guest told Smithsonian Magazine that “if you look at them a little more carefully, then they should be dated to the period after the separation of Britain from the Roman Empire.” He offers as part of his evidence the fact that almost all of the coins found in the Hoxne Hoard were clipped – in other words, small chunks of their edges had been taken off. These clippings would have been used to create coins which were similar to the Roman coins of that era.
A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0
A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0
Guest has a logical reason for this, arguing that “The Roman Empire wasn’t supplying Britain with new gold and silver coins, and in light of that, the population tried to get over this sudden cutoff in the supply of their precious metals by making the existing supplies go further.”
Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0
Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0
Archaeologists also believe that the treasure belonged to a Romano-British family. During that time, considering that there was so much societal discord and upheaval, it was common for Romans who had settled in Britain to bury their most prized possessions.
Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0
Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0
That said, one archaeologist is of the belief that the hoard had a lot of sentimental value for the Romano-British family to whom it is believed to have belonged. In her book The Hoxne Late Roman Treasure: Gold Jewellery and Silver Plate, Catherine Johns claims that the manner in which the treasure was kept supported this claim. Some of the items which were recovered had been packaged in small, wooden boxes which were lined with leather. What’s more, pieces of wood, locks, and nails, among other things, surrounded the gold and silver pieces. This leads Catherine to assert that the package was carefully buried and not simply chucked away in a rush.
Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum
Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum
Interestingly enough, the items unearthed might shed some light on the identity of the family who owned them. They cite a gold bracelet bearing the inscription “UTERE FELIX DOMINA IULIANE,” which roughly translates to “use this happily Lady Juliane”. A second name “Aurelius Ursicinus” has also been discovered. This has consequently led some to believe that Juliane and Aurelius were the couple and the original owners of the treasure. That said, that has yet to be confirmed.
Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0
Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0
All in all, the discovery was a real treasure for archaeologists, and by extension, for Lawes. According to Smithsonian Magazine, in recognition of his discovery and willingness to contact authorities, the British government rewarded him with over £1.7 million, an amount which he shared with the farmer whose land was dug out in order to get the treasure. Funnily enough, apart from the treasure, Lawes also found his lost hammer — which now resides in the British Museum.

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