Last of the Dogmen (1995)

Last of the Dogmen (1995) is a Western film directed by Tab Murphy, who also wrote the screenplay. Starring Tom Berenger, Barbara Hershey, Kurtwood Smith, and Steve Reevis, the film takes viewers on a journey through the rugged Montana wilderness, blending elements of adventure, history, and mystery. The film follows the story of a bounty hunter, Lewelyn (Berenger), who embarks on a quest to track down a group of mysterious people believed to be the descendants of Native American warriors. Through its breathtaking landscapes and emotional depth, Last of the Dogmen explores themes of connection, heritage, and redemption.

The story begins when Lewelyn (Tom Berenger), a bounty hunter, is hired to track down a fugitive in the wilds of Montana. During his search, he stumbles upon evidence suggesting that a group of Native American warriors, believed to have disappeared long ago, are still alive and living in the wilderness. He joins forces with a local woman, Catherine (Barbara Hershey), who is an expert in Native American culture. As they venture deeper into the wilderness, they uncover secrets about the past and the forgotten history of the indigenous people, leading them to a profound discovery about the connection between humans and nature. The film is an emotional and spiritual journey as Lewelyn faces both external and internal challenges.

One of the central themes of Last of the Dogmen is the exploration of heritage and idenтιтy. The film sheds light on the loss and survival of Native American culture, focusing on a group that has been cut off from modern society. Lewelyn’s journey of discovery becomes a search for meaning, as he questions his own idenтιтy and connection to his past. Through his interactions with Catherine and the Dogmen, he begins to understand the importance of preserving culture and history. The film emphasizes the idea that our idenтιтies are shaped by both the past and the present, and it highlights the spiritual bond between people and the land.

The film’s characters are deeply developed, and the performances are exceptional. Tom Berenger’s portrayal of Lewelyn is compelling, as he brings complexity to the role of a man who is initially cynical and hardened by his life as a bounty hunter but slowly opens up to the idea of redemption and reconnection with his humanity. Barbara Hershey’s portrayal of Catherine adds a layer of wisdom and compᴀssion to the film, as she helps Lewelyn navigate his emotional journey. The chemistry between Berenger and Hershey is palpable, and their relationship becomes central to the film’s emotional impact. Steve Reevis, as a member of the Dogmen tribe, provides a strong and understated performance that highlights the strength and dignity of the characters.


Tab Murphy’s direction in Last of the Dogmen is both visually striking and emotionally resonant. The film’s cinematography beautifully captures the vast landscapes of Montana, with sweeping sH๏τs of mountains, forests, and rivers that serve as both the physical setting and the emotional backdrop for the characters’ journey. The wild terrain reflects the untamed spirit of the Dogmen and the characters’ internal struggles. Murphy’s pacing is slow and deliberate, allowing the audience to absorb the emotional weight of the story and the breathtaking beauty of the wilderness. The film’s tone shifts between tension and serenity, creating a captivating atmosphere that draws viewers into the narrative.


Upon its release, Last of the Dogmen received generally positive reviews, with critics praising the film for its heart and the performances of the cast. While some felt the film’s pacing was slow at times, many appreciated its emphasis on character development and the exploration of important themes such as cultural preservation and redemption. The film is often regarded as a hidden gem within the Western genre, blending traditional elements of Westerns with a deeper, more spiritual narrative. It has found an audience over time, especially among those who appreciate films that reflect on human connection, history, and the power of nature.


In conclusion, Last of the Dogmen is a poignant and beautifully crafted Western film that explores themes of heritage, redemption, and the enduring connection between humans and nature. Through strong performances, a compelling story, and stunning cinematography, the film delivers an emotional and thoughtful narrative. It reminds viewers of the importance of preserving cultural idenтιтies and the profound lessons that can be learned from our shared history. Last of the Dogmen is a cinematic journey that will resonate with audiences long after the credits roll, offering a moving meditation on the past, the present, and the ways in which we find meaning in the world around us

A Farmer’s Misplaced Hammer Led to the Largest Roman Treasure in Britain


Hoxne Hoard treasures. Photo by Helen Simonsson CC by SA-2.0
November 16, 1992 was the day which changed Suffolk-resident Eric Lawes’ life in a huge way. What he thought would have been an innocent search for a hammer he had misplaced on his farm in Hoxne Village, Suffolk, England ended up bringing him much more than he had bargained for — namely, uncovering the hiding spot of a long-hidden treasure. Based on the Guardian’s coverage of the story, Eric Lawes had been previously gifted a metal detector upon his retirement as a parting token. He decided to put his retirement gift to good use in order to locate the hammer which he had had some trouble finding. According to a 2018 Smithsonian Magazine article, when the device started recording that there was a strong signal coming from the earth, he knew that he was about to discover something big. As he started digging, it soon became clear to him that he had unearthed a treasure trove.
Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0
Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0
The Guardian reports that, when Lawes saw that his preliminary digging had yielded a few gold coins and silver spoons, he immediately contacted both the local archaeological society and the police department. Archaeologists came to the property the following day and had the area of earth holding the treasure carefully sectioned-off and removed. Their hope was that at a later stage, in their laboratory, they could examined the items in order to identify both their age and how they were stored.
Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0
Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0
When all was said and done, close to 60 pounds of items made from silver and gold were found on the site. These included more than 15,000 Roman coins, 200 gold objects, and several silver spoons. For archaeologists, this find — which later became labeled as the Hoxne Hoard — was an incredible discovery. AP News reported that archaeologist Judith Plouviez was over-the-moon about the discovery, saying that it was “an incredibly exciting and amazing find.” What’s more, another archaeologist, Rachel Wilkinson, told Smithsonian Magazine that this discovery was “the largest and latest ever found in Britain.”
Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0
Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0
Ordinarily, archaeologists would use radiocarbon dating as a means of identifying the age of ancient relics. However, they couldn’t locate any suitable material from the haul. Consequently, they determined the age by examining writing on the coins, as well as the ruler carved into them, estimating that the treasure was probably buried in either 408 or 409 AD.
The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0
The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0
Roman-era archaeologist Peter Guest told Smithsonian Magazine that “if you look at them a little more carefully, then they should be dated to the period after the separation of Britain from the Roman Empire.” He offers as part of his evidence the fact that almost all of the coins found in the Hoxne Hoard were clipped – in other words, small chunks of their edges had been taken off. These clippings would have been used to create coins which were similar to the Roman coins of that era.
A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0
A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0
Guest has a logical reason for this, arguing that “The Roman Empire wasn’t supplying Britain with new gold and silver coins, and in light of that, the population tried to get over this sudden cutoff in the supply of their precious metals by making the existing supplies go further.”
Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0
Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0
Archaeologists also believe that the treasure belonged to a Romano-British family. During that time, considering that there was so much societal discord and upheaval, it was common for Romans who had settled in Britain to bury their most prized possessions.
Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0
Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0
That said, one archaeologist is of the belief that the hoard had a lot of sentimental value for the Romano-British family to whom it is believed to have belonged. In her book The Hoxne Late Roman Treasure: Gold Jewellery and Silver Plate, Catherine Johns claims that the manner in which the treasure was kept supported this claim. Some of the items which were recovered had been packaged in small, wooden boxes which were lined with leather. What’s more, pieces of wood, locks, and nails, among other things, surrounded the gold and silver pieces. This leads Catherine to assert that the package was carefully buried and not simply chucked away in a rush.
Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum
Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum
Interestingly enough, the items unearthed might shed some light on the identity of the family who owned them. They cite a gold bracelet bearing the inscription “UTERE FELIX DOMINA IULIANE,” which roughly translates to “use this happily Lady Juliane”. A second name “Aurelius Ursicinus” has also been discovered. This has consequently led some to believe that Juliane and Aurelius were the couple and the original owners of the treasure. That said, that has yet to be confirmed.
Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0
Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0
All in all, the discovery was a real treasure for archaeologists, and by extension, for Lawes. According to Smithsonian Magazine, in recognition of his discovery and willingness to contact authorities, the British government rewarded him with over £1.7 million, an amount which he shared with the farmer whose land was dug out in order to get the treasure. Funnily enough, apart from the treasure, Lawes also found his lost hammer — which now resides in the British Museum.

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