About Elly (2009)

About Elly is a 2009 Iranian drama directed by Asghar Farhadi, marking his fourth feature film. The movie explores the complexities of middle-class relationships in Iran, examining themes of deception, guilt, and social expectations. The film received widespread critical acclaim for its compelling storytelling and insightful portrayal of human behavior. Farhadi’s direction won him the Silver Bear for Best Director at the 59th Berlin International Film Festival, highlighting the film’s universal appeal and cultural relevance.

The plot centers around a group of friends who travel to a seaside town for a weekend getaway. Among them is Elly, a young woman who is invited by her close friend Sepideh to join the trip. The group’s time together soon takes a dark turn when Elly mysteriously disappears, sparking a chain of events that uncovers the hidden secrets and lies within the group. As the characters struggle to find Elly and understand what happened to her, tensions rise, revealing the complexities of their relationships and the moral dilemmas they face.

At its core, About Elly is a study of social and moral responsibility. The film delves into how individuals in a тιԍнт-knit community can be bound by unspoken expectations and societal pressures. The friends’ reactions to Elly’s disappearance expose the fragility of their relationships and the consequences of their actions. Farhadi masterfully creates a sense of suspense, keeping the audience engaged as the story unravels through small, yet revealing, interactions and decisions made under pressure.

The performances in About Elly are exceptional, with a strong ensemble cast bringing depth to their characters. Taraneh Alidoosti, as Sepideh, the catalyst for the weekend getaway, delivers a nuanced performance as a woman who is torn between helping her friend and protecting her own secrets. Shahab Hosseini, who portrays Ahmad, is equally compelling, playing a man who is caught in the midst of the crisis, trying to reconcile his past actions with his present situation. The chemistry among the cast members adds to the film’s authenticity, making the emotional turmoil feel real and relatable.

The film’s cinematography and setting also play an important role in enhancing its tension and atmosphere. Farhadi uses the picturesque seaside location to contrast the emotional turmoil of the characters. The quiet, serene landscape serves as a backdrop to the increasingly chaotic events unfolding, emphasizing the disconnect between the outward calm and the emotional storm brewing among the characters. The film’s use of natural light and intimate close-ups further immerses the audience in the characters’ emotional states, making their feelings of confusion and despair palpable.

About Elly is notable for its subtle social commentary, particularly regarding the cultural and gender dynamics in contemporary Iranian society. The film explores how societal norms and expectations shape the characters’ actions and decisions, often leading to unintended consequences. Through the characters’ struggles, Farhadi critiques the limitations placed on women in Iranian society and the pressure to conform to traditional roles. The film’s open-ended conclusion invites viewers to reflect on the complexity of truth, morality, and the human condition.

In conclusion, About Elly is a gripping and thought-provoking drama that explores the complexities of friendship, trust, and social pressure. Asghar Farhadi’s direction, along with stellar performances from the cast, creates a film that is both emotionally engaging and culturally significant. The movie’s powerful exploration of personal and social dilemmas makes it a standout in contemporary Iranian cinema. With its compelling narrative and insightful commentary, About Elly is a must-see for those interested in human drama and the intricacies of social dynamics.

A Farmer’s Misplaced Hammer Led to the Largest Roman Treasure in Britain


Hoxne Hoard treasures. Photo by Helen Simonsson CC by SA-2.0
November 16, 1992 was the day which changed Suffolk-resident Eric Lawes’ life in a huge way. What he thought would have been an innocent search for a hammer he had misplaced on his farm in Hoxne Village, Suffolk, England ended up bringing him much more than he had bargained for — namely, uncovering the hiding spot of a long-hidden treasure. Based on the Guardian’s coverage of the story, Eric Lawes had been previously gifted a metal detector upon his retirement as a parting token. He decided to put his retirement gift to good use in order to locate the hammer which he had had some trouble finding. According to a 2018 Smithsonian Magazine article, when the device started recording that there was a strong signal coming from the earth, he knew that he was about to discover something big. As he started digging, it soon became clear to him that he had unearthed a treasure trove.
Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0
Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0
The Guardian reports that, when Lawes saw that his preliminary digging had yielded a few gold coins and silver spoons, he immediately contacted both the local archaeological society and the police department. Archaeologists came to the property the following day and had the area of earth holding the treasure carefully sectioned-off and removed. Their hope was that at a later stage, in their laboratory, they could examined the items in order to identify both their age and how they were stored.
Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0
Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0
When all was said and done, close to 60 pounds of items made from silver and gold were found on the site. These included more than 15,000 Roman coins, 200 gold objects, and several silver spoons. For archaeologists, this find — which later became labeled as the Hoxne Hoard — was an incredible discovery. AP News reported that archaeologist Judith Plouviez was over-the-moon about the discovery, saying that it was “an incredibly exciting and amazing find.” What’s more, another archaeologist, Rachel Wilkinson, told Smithsonian Magazine that this discovery was “the largest and latest ever found in Britain.”
Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0
Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0
Ordinarily, archaeologists would use radiocarbon dating as a means of identifying the age of ancient relics. However, they couldn’t locate any suitable material from the haul. Consequently, they determined the age by examining writing on the coins, as well as the ruler carved into them, estimating that the treasure was probably buried in either 408 or 409 AD.
The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0
The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0
Roman-era archaeologist Peter Guest told Smithsonian Magazine that “if you look at them a little more carefully, then they should be dated to the period after the separation of Britain from the Roman Empire.” He offers as part of his evidence the fact that almost all of the coins found in the Hoxne Hoard were clipped – in other words, small chunks of their edges had been taken off. These clippings would have been used to create coins which were similar to the Roman coins of that era.
A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0
A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0
Guest has a logical reason for this, arguing that “The Roman Empire wasn’t supplying Britain with new gold and silver coins, and in light of that, the population tried to get over this sudden cutoff in the supply of their precious metals by making the existing supplies go further.”
Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0
Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0
Archaeologists also believe that the treasure belonged to a Romano-British family. During that time, considering that there was so much societal discord and upheaval, it was common for Romans who had settled in Britain to bury their most prized possessions.
Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0
Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0
That said, one archaeologist is of the belief that the hoard had a lot of sentimental value for the Romano-British family to whom it is believed to have belonged. In her book The Hoxne Late Roman Treasure: Gold Jewellery and Silver Plate, Catherine Johns claims that the manner in which the treasure was kept supported this claim. Some of the items which were recovered had been packaged in small, wooden boxes which were lined with leather. What’s more, pieces of wood, locks, and nails, among other things, surrounded the gold and silver pieces. This leads Catherine to assert that the package was carefully buried and not simply chucked away in a rush.
Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum
Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum
Interestingly enough, the items unearthed might shed some light on the identity of the family who owned them. They cite a gold bracelet bearing the inscription “UTERE FELIX DOMINA IULIANE,” which roughly translates to “use this happily Lady Juliane”. A second name “Aurelius Ursicinus” has also been discovered. This has consequently led some to believe that Juliane and Aurelius were the couple and the original owners of the treasure. That said, that has yet to be confirmed.
Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0
Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0
All in all, the discovery was a real treasure for archaeologists, and by extension, for Lawes. According to Smithsonian Magazine, in recognition of his discovery and willingness to contact authorities, the British government rewarded him with over £1.7 million, an amount which he shared with the farmer whose land was dug out in order to get the treasure. Funnily enough, apart from the treasure, Lawes also found his lost hammer — which now resides in the British Museum.

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