Cordelia (2020) is a British psychological thriller directed by Adrian Shergold, based on a play by the late writer, Barry Devlin. The film follows the story of Cordelia (played by Antonia Campbell-Hughes), a young woman who is recovering from a traumatic event that occurred in her past. Set primarily in a stylish London apartment, the movie delves into her complex psychological state as she attempts to rebuild her life.

The plot begins when Cordelia, a vulnerable and introspective character, decides to spend time with her estranged twin sister, Caroline (also played by Campbell-Hughes), who has a more glamorous, carefree lifestyle. When Cordelia stays at Caroline’s apartment, she is introduced to a stranger, an enigmatic man named Johnny (Michael Gambon), whose behavior seems increasingly unpredictable and sinister. Cordelia becomes entangled in a tense, unpredictable situation that threatens to unravel her fragile sense of security.

The film plays heavily on tension, atmosphere, and psychological manipulation. As the narrative unfolds, the audience begins to question what is real and what is merely a projection of Cordelia’s mental state. Her perception of the world is skewed by her trauma, and the film blurs the line between her own fears and reality. The setting, largely confined to a single location, adds to the claustrophobic feeling and psychological intensity of the story.

The performances, particularly Campbell-Hughes’ portrayal of the central character, are gripping and nuanced. Her vulnerability and inner turmoil are portrayed with depth, making Cordelia’s struggle all the more compelling. Cordelia is an intense, suspenseful film that examines themes of trauma, idenтιтy, and the fragility of the mind, leaving viewers with lingering questions about the boundaries of reality.