Dwayne ‘The Rock’ Johnson’s $250million film Red One has bombed on opening weekend as it earned just $34.1million despite a mᴀssive budget and star-studded cast.

The big budget, star-driven action comedy with the 52-year-old former WWE pro-wrestler –  who recently addressed his on-set behavior controversy –  and Chris Evans sold $34.1 million in tickets in its first weekend in theaters, according to studio estimates Sunday. 

It easily topped a box office populated mostly by holdovers but definitely fell short of expectations.

For traditional studios, a $34.1 million debut against a $200 million-plus production budget would be a clear indication of a flop. Some even peg the budget closer to $250 million. 

However, Red One is an Amazon MGM Studios release with the luxury of playing the long game rather than relying solely on global box office where Johnson tentpoles often overperform. The film may have a life on Prime Video for years to come.

Red One, in which Johnson – who recently shared a sweet moment with a fan battling cancer – plays Santa´s bodyguard, was originally built to go straight-to-streaming. It was greenlit prior to Amazon’s acquisition of MGM.

Dwayne ‘The Rock’ Johnson’s $250million film Red One has bombed on opening weekend as it earned just $34.1million despite a mᴀssive budget and star-studded cast; he is seen in the film with Chris Evans 

One interpretation of its lifecycle is that the theatrical earnings are not only just a bonus, but an additive gesture toward struggling theaters looking for a consistent stream of new films.

‘Amazon has 250 million plus worldwide subscribers to the platform. It´s similar to the way Netflix, I think, looks at stuff for their platform,’ said Kevin Wilson, head of distribution for Amazon MGM Studios. ‘There´s a there´s a mᴀssive value for a movie like this in terms of how many eyeballs you´re going to get.’

The first major studio holiday release since 2018, Red One opened on 4,032 screens, including IMAX and other large formats, on an otherwise quiet weekend for major releases.

‘We´re really happy with the results,’ Wilson said. ‘I think when you look at the theatrical marketplace that’s sometimes unforgiving, especially for original films, this is a good result for us.’

Since 2020, only seven films that weren’t sequels or based on another piece of intellectual property have opened over $30 million (including Oppenheimer and Nope.)

Warner Bros. is handling the overseas release, where it has made an estimated $50 million in two weekends from 75 territories and 14,783 screens.

Still, it’s certainly not a theatrical hit in North America. Even “Joker: Folie à Deux” made slightly more in its first weekend. 

Red One, directed by Jake Kasdan and produced by Johnson´s Seven Bucks, was roundly rejected by critics, with a dismal 33% Rotten Tomatoes score. 

The big budget, star-driven action comedy with the 52-year-old former WWE pro-wrestler – who recently addressed his on-set behavior controversy – sold $34.1 million in tickets in its first weekend in theaters, according to studio estimates Sunday

For traditional studios, a $34.1 million debut against a $200 million-plus production budget would be a clear indication of a flop. Some even peg the budget closer to $250 million; Lucy Liu is seen in the film 

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore: 

1. “Red One,” $34.1 million.

2. “Venom: The Last Dance,” $7.4 million.

3. “The Best Christmas Pageant Ever,” $5.4 million.

4. “Heretic,” $5.2 million.

5. “The Wild Robot,” $4.3 million.

6. “Smile 2,” $3 million.

7. “Conclave,” $2.9 million.

8. “Hello, Love, Again,” $2.3 million.

9. “A Real Pain,” $2.3 million.

10. “Anora,” $1.8 million.

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Jake Coyle, in his review for The ᴀssociated Press, wrote that it ‘feels like an unwanted high-priced Christmas present.’

Audiences were kinder than they were to Joker 2, giving it an A- CinemaScore, suggesting, perhaps, that the idea of it becoming a perennial holiday favorite is not so off-base.

Red One is also overperforming in the middle of the country, Wilson said, and perhaps will have a nice holdover over Thanksgiving as a different option to the behemoths on the way.

Sony’s Venom: The Last Dance added $7.4 million this weekend’s box office to take second place, bringing its domestic total to $127.6 million. Globally, its total stands at $436.1 million.

Lionsgate’s The Best Christmas Pageant Ever landed in third with $5.4 million. 

That much more modestly budgeted Christmas movie has already nearly doubled its $10 million production budget in two weeks. 

Fourth place went to A24’s Hugh Grant horror Heretic, with $5.2 million, bumping its total gross to $20.4 million.

Universal and DreamWorks Animation’s The Wild Robot rounded out the top five in its eighth weekend in theaters with an additional $4.3 million. The animated film surpᴀssed $300 million worldwide.

Sony’s Venom: The Last Dance added $7.4 million this weekend’s box office to take second place, bringing its domestic total to $127.6 million. Globally, its total stands at $436.1 million

Lionsgate’s The Best Christmas Pageant Ever landed in third with $5.4 million

This weekend is a bit of a stopover before the Thanksgiving tentpoles arrive. 

Next week, Wicked and Gladiator II face off in theaters with Moana 2, which also stars Johnson, sailing in the Wednesday before the holiday.

Gladiator II also got a bit of a head start internationally, where it opened in 63 markets this weekend to gross $87 million. 

That’s a record for filmmaker Ridley Scott and for an R-rated international release from Paramount. It opens in the U.S. and Canada on Nov. 22.

Next week, Wicked and Gladiator II face off in theaters with Moana 2 , which also stars Johnson, sailing in the Wednesday before the holiday

Gladiator II also got a bit of a head start internationally, where it opened in 63 markets this weekend to gross $87 million

Paul Dergarabedian, the senior media analyst for Comscore, said that the Red One is helping set into motion a momentum leading into the Thanksgiving corridor.

The upcoming releases, he said, ‘will finally bring some excitement to what has been a somewhat quiet post-Labor Day moviegoing marketplace.’

Dergarabedian added that it could be ‘one of the biggest revenue generating Thanksgiving periods in box office history.’

Final domestic figures will be released Monday.