King Tut’s Beard Is Back, With Help Fršš˜m a Little Beeswax

The maskā€™s elongated beard snapped off while museum staff worked on the display in August 2014. An attempt to restore the royal beard with epoxy followed. The latest conservation efforts began in October 2015. The objective was not only to reattach the beard, but also to undertake a full-scale study of the mask using the museum archives as reference, which hasnā€™t been done before.

Concern over Tutā€™s beard dates back to 1922, when Tutankhamunā€™s tomb was discovered. ā€œThe study of the mask showed that its beard was detached and was not fixed back till 1946ā€ says Christian Eckmannā€”the German expert who lead the maskā€™s restoration teamā€”in a press conference that unveiled the mask after restoration. Eckmann is a conservator with a specialization in glį“€ss and metal, the two main components of the golden mask. He had previously restored and conserved several Egyptian artifacts, notably the two copper statues of King Pepi I, and the golden head of Horus.

ā€œThe 2014 damage was exaggerated, since the beard was previously detached as the examination showed,ā€ says Friederike Fless, the president of the German Archaeological InsтĪ¹Ń‚ute in Cairo, one of the German and Egyptian bodies that cooperated in the restoration process.

The restoration process started with a full 3D scan with a light pattern projection scanner to record and document the maskā€™s status, followed by the removal of the inadequately applied glue. No chemicals were used to remove the resinā€”instead, the team worked millimeter by millimeter with wooden tools after raising the temperature of the mask. This step alone took more than four weeks.

ā€œThe process has uncovered two surprises, the first is that beard has an internal tube that connects it to the maskā€™s face, and the second is that the 1946 reattachment of the beard was done using soft solder,ā€ says Mamdouh Eldamaty, the Egyptian minister of antiquities.

A picture taken in 2009 shows the mask on display, spotlighted in a specially darkened exhibition gallery, in the Egyptian Museum in Cairo.
PHą¹Ļ„OGRAPH BY KHALED DESOUKI, AFP/GETTYIMAGES
Ancient techniques were implemented in the restoration process; The team has used beeswax as an adhesive since it was a common material in ancient Egypt, and because itā€™s an organic material that poses less risk of damaging the metal of the mask.

The beard on the mask wasnā€™t how Tutā€™s actual facial hair looked. The false beard was an important symbol in ancient Egyptā€”it was one of the ways Egyptian kings identified themselves with Osiris, the god of the underworld. Unlike in real life at the time, where facial hair was considered a sign of a low social status, wearing a false beard with an upturned end, like King Tutankhamun, was a sign of divinity.

The information gathered from the scans of the mask and details of the restoration will be published in a forthcoming book.

During the restoration process, a 3D hologram of the mask was on display, but starting December 17, museum visitors can enjoy the real mask, and will be allowed to take pHą¹Ļ„ographs of it and the entire collection of the museum for one month.

2015 has been a big year for King Tut admirers. This summer, National Geographic grantee Nicholas Reeves theorized that hidden chambers in Tutā€™s tomb might lead to the burial place of Queen NeferтĪ¹Ń‚i.Ā Scans of the tomb reveal there may, in fact, be two rooms hidden behind walls, and further examination of the space is expected in the coming months.

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