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The Brutalist (2024), directed by Brady Corbet, is a sweeping historical drama that has garnered critical acclaim, boasting a 93% Rotten Tomatoes score and multiple accolades, including the Silver Lion for Best Direction at the 2024 Venice Film Festival. The official trailers, released by A24, offer a compelling glimpse into this 3-hour-35-minute American epic, starring Adrien Brody, Felicity Jones, and Guy Pearce. Below is a detailed description of the trailers’ content, structure, and impact, optimized for fans searching for this Oscar-contending film.

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Trailer Overview

Two official trailers for The Brutalist have been released: the first, a 1-minute-17-second teaser on October 22, 2024, and the second, a 2-minute-27-second full trailer on December 10, 2024. Both are available on platforms like YouTube, IMDb, and A24’s website. The trailers introduce the story of László Toth (Adrien Brody), a Hungarian-Jewish architect and Holocaust survivor, and his wife Erzsébet (Felicity Jones), who flee post-war Europe in 1947 to pursue the American Dream in Pennsylvania. Their lives are transformed by a wealthy industrialist, Harrison Lee Van Buren (Guy Pearce), whose patronage comes at a heavy cost.

The trailers emphasize the film’s epic scope, sH๏τ in VistaVision for stunning visuals, and its exploration of ambition, trauma, and the immigrant experience. A built-in 15-minute intermission is noted, reflecting the film’s ambitious 215-minute runtime. The tone is bold and monumental, underscored by Daniel Blumberg’s experimental score.

Why it works: The trailers’ evocative visuals and minimal plot reveals create intrigue, showcasing the film’s critical praise and cinematic grandeur without spoiling its narrative depth.

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Key Scenes and Highlights

First Trailer (1:17, October 22, 2024)

• Opening Sequence: The trailer begins with László’s arrival in America, showing the Statue of Liberty through a ship’s porthole, symbolizing hope. Text overlays highlight the cast and critical buzz, including the “Monumental” quote from reviews.

• László’s Struggle: Brief snippets show László in poverty, working manual labor, and sketching architectural designs, with Brody’s soulful expressions conveying resilience and pain. A tearful breakdown hints at personal trauma.

• Romantic Moments: Tender scenes of László and Erzsébet embracing suggest their reunion after wartime separation, with Jones’ radiant performance adding warmth.

• Van Buren’s Influence: Guy Pearce’s Harrison Lee Van Buren appears in polished suits, offering László a contract. A glimpse of a grand architectural model teases the Van Buren Insтιтute, inspired by Marcel Breuer’s brutalist designs.

• Closing Voiceover: The trailer ends with a voice saying, “Welcome to America,” juxtaposed with László’s emotional complexity, leaving viewers curious about the cost of his ambition.

Second Trailer (2:27, December 10, 2024)

• Expanded Narrative: The full trailer delves deeper, showing László’s rise from hardship to prominence. Scenes of him presenting designs to Van Buren’s elite circle contrast with earlier struggles, hinting at moral compromises.

• Family Dynamics: More focus on Erzsébet and their niece Zsófia (Raffey Cᴀssidy), with tense family moments suggesting strain from László’s ambition. Joe Alwyn’s Harry Lee Van Buren appears as a volatile figure, adding conflict.

• Architectural Grandeur: Extended sH๏τs of the Van Buren Insтιтute’s construction, with brutalist concrete structures, showcase the film’s stunning cinematography by Lol Crawley. A synagogue scene with a Star of David overhead nods to László’s Jewish heritage.

• Emotional Weight: Brody’s László is shown in moments of anguish and triumph, with a powerful scene of him confronting Van Buren. Jones’ Erzsébet delivers a poignant line about rebuilding their legacy, amplifying the stakes.

• Critical Accolades: Text highlights Golden Globe nominations (Best Picture, Best Actor for Brody, Best Supporting Actress for Jones, Best Supporting Actor for Pearce) and the New York Film Critics Circle’s Best Film award.

Why it works: The first trailer teases the film’s emotional and visual scope, while the second provides a richer narrative context, leveraging awards buzz to heighten anticipation. Both showcase Brody’s transformative performance and the film’s unique aesthetic.

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Tone and Style

The trailers exude a bold, operatic tone, reflecting The Brutalist’s ambition as a “new American epic.” The VistaVision format delivers crisp, high-fidelity visuals, with handheld sH๏τs making intimate moments feel grandiose. The color palette shifts from muted grays of László’s early struggles to vibrant hues of his architectural triumphs, mirroring his journey.

Daniel Blumberg’s score, featuring pianos, trumpets, and experimental sounds like construction noises, drives the trailers’ intensity. The opening overture, choreographed to the film’s first 10 minutes, sets a haunting rhythm, while tracks like “Erzsébet” incorporate train sounds for authenticity.

The editing is deliberate, with the first trailer using flowing text and sparse dialogue to maintain mystery, and the second employing longer scenes and voiceovers to hint at the plot’s complexity. Social media posts on X praise the trailers for “showcasing fantastic cinematography” without revealing too much, a sentiment echoed by Reddit users who appreciate the intrigue.

Why it works: The trailers’ cinematic craftsmanship and experimental score create a visceral experience, positioning The Brutalist as a prestige film with mainstream appeal despite its lengthy runtime.

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Why the Trailer Resonates

The Brutalist trailers resonate due to their focus on Adrien Brody’s soulful performance, described on X as likely to “make me sob uncontrollably,” and the film’s critical acclaim, including 10 Oscar nominations and wins for Best Cinematography, Best Original Score, and Best Actor for Brody. The trailers tap into the film’s exploration of the immigrant experience and the American Dream’s darker side, themes that feel poignant in 2025 amid global discussions of idenтιтy and ambition.

The trailers also highlight the film’s underdog story: made on a $9.6 million budget, it grossed $50.2 million and became Corbet’s highest-grossing work. Posts on X compare it to masterpieces like The Godfather and There Will Be Blood, fueling excitement for its “era-defining” scope. The inclusion of brutalist architecture, inspired by Marcel Breuer and Louis Kahn, adds intellectual allure for cinephiles.

Why it works: The trailers blend emotional depth, critical prestige, and visual splendor, appealing to awards-season enthusiasts and fans of ambitious storytelling.

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Where to Watch the Trailer

The Brutalist (2024) official trailers are widely accessible:

• YouTube: A24’s channel hosts both trailers, with the first posted on October 22, 2024, and the second on December 10, 2024.

• IMDb: Both trailers are available, with the first at 1:17 and the second at 2:27, alongside clips and interviews.

• A24 Website: The trailers are featured on the film’s official page, alongside promotional materials.

• Streaming Platforms: Apple TV, Amazon Prime Video, and Fandango at Home include the trailers with rental or purchase options.

• Social Media: Clips are shared on X, Reddit, and A24’s accounts, with discussions on r/movies and r/videos.

Why it works: The trailers’ broad availability ensures fans can engage with the film’s hype, amplified by festival buzz and awards momentum.

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Why Watch The Brutalist?

The Brutalist trailers promise a monumental cinematic experience, blending Adrien Brody’s Oscar-winning performance with Brady Corbet’s visionary direction. With a 93% Tomatometer, Golden Globe wins, and comparisons to Once Upon a Time in America, the film is a critical darling and a box office success. The trailers tease a story of ambition, trauma, and legacy, sH๏τ in four languages (English, Hebrew, Hungarian, Italian) and featuring brutalist architecture inspired by Marcel Breuer. Despite its 3.5-hour runtime, the intermission and rave reviews make it a must-see for fans of historical epics and awards contenders.

Call to action: Watch The Brutalist official trailers on YouTube, IMDb, or A24’s website to experience the buzz around this acclaimed epic. Stream or rent the film on Amazon, Apple TV, or Fandango at Home, available since February 17, 2025, and share your thoughts with #TheBrutalist.

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A Farmer’s Misplaced Hammer Led to the Largest Roman Treasure in Britain

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November 16, 1992 was the day which changed Suffolk-resident Eric Lawes’ life in a huge way. What he thought would have been an innocent search for a hammer he had misplaced on his farm in Hoxne Village, Suffolk, England ended up bringing him much more than he had bargained for — namely, uncovering the hiding spot of a long-hidden treasure. Based on the Guardian’s coverage of the story, Eric Lawes had been previously gifted a metal detector upon his retirement as a parting token. He decided to put his retirement gift to good use in order to locate the hammer which he had had some trouble finding. According to a 2018 Smithsonian Magazine article, when the device started recording that there was a strong signal coming from the earth, he knew that he was about to discover something big. As he started digging, it soon became clear to him that he had unearthed a treasure trove.

The Guardian reports that, when Lawes saw that his preliminary digging had yielded a few gold coins and silver spoons, he immediately contacted both the local archaeological society and the police department. Archaeologists came to the property the following day and had the area of earth holding the treasure carefully sectioned-off and removed. Their hope was that at a later stage, in their laboratory, they could examined the items in order to identify both their age and how they were stored.

When all was said and done, close to 60 pounds of items made from silver and gold were found on the site. These included more than 15,000 Roman coins, 200 gold objects, and several silver spoons. For archaeologists, this find — which later became labeled as the Hoxne Hoard — was an incredible discovery. AP News reported that archaeologist Judith Plouviez was over-the-moon about the discovery, saying that it was “an incredibly exciting and amazing find.” What’s more, another archaeologist, Rachel Wilkinson, told Smithsonian Magazine that this discovery was “the largest and latest ever found in Britain.”

Ordinarily, archaeologists would use radiocarbon dating as a means of identifying the age of ancient relics. However, they couldn’t locate any suitable material from the haul. Consequently, they determined the age by examining writing on the coins, as well as the ruler carved into them, estimating that the treasure was probably buried in either 408 or 409 AD.

Roman-era archaeologist Peter Guest told Smithsonian Magazine that “if you look at them a little more carefully, then they should be dated to the period after the separation of Britain from the Roman Empire.” He offers as part of his evidence the fact that almost all of the coins found in the Hoxne Hoard were clipped – in other words, small chunks of their edges had been taken off. These clippings would have been used to create coins which were similar to the Roman coins of that era.

Guest has a logical reason for this, arguing that “The Roman Empire wasn’t supplying Britain with new gold and silver coins, and in light of that, the population tried to get over this sudden cutoff in the supply of their precious metals by making the existing supplies go further.”

Archaeologists also believe that the treasure belonged to a Romano-British family. During that time, considering that there was so much societal discord and upheaval, it was common for Romans who had settled in Britain to bury their most prized possessions.

That said, one archaeologist is of the belief that the hoard had a lot of sentimental value for the Romano-British family to whom it is believed to have belonged. In her book The Hoxne Late Roman Treasure: Gold Jewellery and Silver Plate, Catherine Johns claims that the manner in which the treasure was kept supported this claim. Some of the items which were recovered had been packaged in small, wooden boxes which were lined with leather. What’s more, pieces of wood, locks, and nails, among other things, surrounded the gold and silver pieces. This leads Catherine to assert that the package was carefully buried and not simply chucked away in a rush.

Interestingly enough, the items unearthed might shed some light on the identity of the family who owned them. They cite a gold bracelet bearing the inscription “UTERE FELIX DOMINA IULIANE,” which roughly translates to “use this happily Lady Juliane”. A second name “Aurelius Ursicinus” has also been discovered. This has consequently led some to believe that Juliane and Aurelius were the couple and the original owners of the treasure. That said, that has yet to be confirmed.

All in all, the discovery was a real treasure for archaeologists, and by extension, for Lawes. According to Smithsonian Magazine, in recognition of his discovery and willingness to contact authorities, the British government rewarded him with over £1.7 million, an amount which he shared with the farmer whose land was dug out in order to get the treasure. Funnily enough, apart from the treasure, Lawes also found his lost hammer — which now resides in the British Museum.