Then vs Now : Interior Entrance of the Great Temple of Abu Simbel, Egypt

The Great Temple is located in the village of Abu Simbel, Aswan Governorate, Upper Egypt, near the border with Sudan.

 

Temple took about twenty years to build, was completed around year 24 of the reign of Ramesses the Great (which corresponds to 1265 BC). It was dedicated to the gods Amun, Ra-Horakhty, and Ptah, as well as to the deified Ramesses himself. It is generally considered the grandest and most beautiful of the temples commissioned during the reign of Ramesses II, and one of the most beautiful in Egypt.

The entrance is flanked by four colossal, 20m (66ft) statues, each representing Ramesses II seated on a throne and wearing double crown of Upper and Lower Egypt.

The statue to the immediate left of the entrance was damaged in an earthquake, causing the head and torso to fall away; these fallen pieces were not restored to the statue during the relocation but placed at the statue’s feet in the positions originally found. Next to Ramesses’s legs are a number of other, smaller statues, none higher than the knees of the pharaoh, depicting: his chief wife, Nefertari Meritmut; his queen mother Mut-Tuy; his first two sons, Amun-her-khepeshef and Ramesses B; and his first six daughters: Bintanath, Baketmut, Nefertari, Meritamen, Nebettawy and Isetnofret.

The façade behind the colossi is 33m (108ft) high and 38m (125ft) wide. It carries a frieze depicting twenty-two baboons worshipping the rising sun with upraised arms and a stele recording the marriage of Ramesses to a daughter of king Ḫattušili III, which sealed the peace between Egypt and the Hitтιтes.

The entrance doorway itself is surmounted by bas-relief images of the king worshipping the falcon-headed Ra Horakhty, whose statue stands in a large niche. Ra holds the hieroglyph user and a feather in his right hand, with Maat (goddess of truth and justice) in his left; this is a cryptogram for Ramesses II’s throne name, User-Maat-Re.

The Image above is a Coloured lithograph by Louis Haghe after David Roberts, 1849.

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