Casino (1995)

Casino (1995) is a masterful exploration of greed, power, and the dark underbelly of Las Vegas, directed by Martin Scorsese. This crime drama, based on real events, delves into the lives of individuals entangled in the world of high-stakes gambling and organized crime. With its intricate storytelling and rich character development, Casino stands as a significant entry in Scorsese’s illustrious filmography, showcasing his talent for crafting compelling narratives that captivate audiences.

The film centers around Sam “Ace” Rothstein, portrayed by Robert De Niro, a skilled gambler who is tasked with running the Tangiers Casino in Las Vegas. Ace’s sharp instincts and expertise in the gambling industry enable him to transform the casino into a lucrative venture. However, his success draws the attention of the mafia, leading to a complex web of power struggles and moral dilemmas. As Ace navigates the challenges of managing the casino, he is joined by his volatile friend Nicky Santoro, played by Joe Pesci, whose ruthless nature brings an element of danger to the narrative.

At the heart of Casino lies a love story between Ace and Ginger McKenna, a glamorous con artist portrayed by Sharon Stone. Their tumultuous relationship serves as a reflection of the film’s broader themes of ambition, betrayal, and the pursuit of the American Dream. Ginger’s character adds depth to the narrative, illustrating the personal costs of a life driven by ambition and desire. The dynamic between Ace and Ginger is both pᴀssionate and destructive, showcasing how love can be influenced by external pressures and personal insecurities.

The film’s structure is notable for its use of voiceover narration, primarily from Ace and Ginger, which provides insight into their thoughts and motivations. This narrative style effectively immerses viewers in their world, allowing for a deeper understanding of the characters’ complexities. Scorsese’s direction skillfully intertwines these personal stories with the larger narrative of Las Vegas, highlighting the city’s allure and the moral decay that often accompanies wealth and power.

Visually, Casino is a feast for the eyes, characterized by Scorsese’s signature style. The cinematography captures the glitz and glamour of Las Vegas while simultaneously revealing its darker aspects. The vibrant colors and dynamic camera movements create an engaging atmosphere that reflects the excitement and danger of the casino world. Scorsese’s meticulous attention to detail is evident in every frame, as he artfully constructs scenes that resonate with both beauty and tension.

The film’s soundtrack also plays a vital role in establishing its tone, featuring an eclectic mix of classic rock and period-appropriate music that enhances the emotional weight of key scenes. The use of music elevates the storytelling, further immersing viewers in the hedonistic world of Las Vegas during the 1970s and 1980s.

Casino does not shy away from depicting the brutal realities of the gambling industry and organized crime. The film explores themes of loyalty, betrayal, and the inevitable consequences of a life steeped in greed. As Ace and Nicky’s relationship deteriorates, the film highlights how ambition can corrupt even the strongest bonds. The violence and moral ambiguity depicted in the film serve as a stark reminder of the costs ᴀssociated with the pursuit of power and success.

The performances in Casino are exceptional, with De Niro delivering a nuanced portrayal of a man caught between his ambitions and the chaos surrounding him. Joe Pesci’s performance as Nicky is both intimidating and magnetic, showcasing his ability to portray raw intensity. Sharon Stone shines as Ginger, capturing the character’s vulnerability and ambition with remarkable depth. The chemistry among the trio adds a layer of complexity to the narrative, making their interactions both compelling and tragic.

In conclusion, Casino is a riveting exploration of the intersection between ambition and morality, set against the dazzling yet treacherous backdrop of Las Vegas. Through its intricate storytelling, powerful performances, and striking visuals, the film captures the allure and danger of a world driven by greed. Scorsese’s masterful direction and the film’s rich character development ensure that Casino remains a standout in the crime drama genre, leaving a lasting impact on viewers and solidifying its status as a cinematic classic.

A Farmer’s Misplaced Hammer Led to the Largest Roman Treasure in Britain


Hoxne Hoard treasures. Photo by Helen Simonsson CC by SA-2.0
November 16, 1992 was the day which changed Suffolk-resident Eric Lawes’ life in a huge way. What he thought would have been an innocent search for a hammer he had misplaced on his farm in Hoxne Village, Suffolk, England ended up bringing him much more than he had bargained for — namely, uncovering the hiding spot of a long-hidden treasure. Based on the Guardian’s coverage of the story, Eric Lawes had been previously gifted a metal detector upon his retirement as a parting token. He decided to put his retirement gift to good use in order to locate the hammer which he had had some trouble finding. According to a 2018 Smithsonian Magazine article, when the device started recording that there was a strong signal coming from the earth, he knew that he was about to discover something big. As he started digging, it soon became clear to him that he had unearthed a treasure trove.
Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0
Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0
The Guardian reports that, when Lawes saw that his preliminary digging had yielded a few gold coins and silver spoons, he immediately contacted both the local archaeological society and the police department. Archaeologists came to the property the following day and had the area of earth holding the treasure carefully sectioned-off and removed. Their hope was that at a later stage, in their laboratory, they could examined the items in order to identify both their age and how they were stored.
Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0
Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0
When all was said and done, close to 60 pounds of items made from silver and gold were found on the site. These included more than 15,000 Roman coins, 200 gold objects, and several silver spoons. For archaeologists, this find — which later became labeled as the Hoxne Hoard — was an incredible discovery. AP News reported that archaeologist Judith Plouviez was over-the-moon about the discovery, saying that it was “an incredibly exciting and amazing find.” What’s more, another archaeologist, Rachel Wilkinson, told Smithsonian Magazine that this discovery was “the largest and latest ever found in Britain.”
Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0
Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0
Ordinarily, archaeologists would use radiocarbon dating as a means of identifying the age of ancient relics. However, they couldn’t locate any suitable material from the haul. Consequently, they determined the age by examining writing on the coins, as well as the ruler carved into them, estimating that the treasure was probably buried in either 408 or 409 AD.
The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0
The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0
Roman-era archaeologist Peter Guest told Smithsonian Magazine that “if you look at them a little more carefully, then they should be dated to the period after the separation of Britain from the Roman Empire.” He offers as part of his evidence the fact that almost all of the coins found in the Hoxne Hoard were clipped – in other words, small chunks of their edges had been taken off. These clippings would have been used to create coins which were similar to the Roman coins of that era.
A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0
A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0
Guest has a logical reason for this, arguing that “The Roman Empire wasn’t supplying Britain with new gold and silver coins, and in light of that, the population tried to get over this sudden cutoff in the supply of their precious metals by making the existing supplies go further.”
Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0
Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0
Archaeologists also believe that the treasure belonged to a Romano-British family. During that time, considering that there was so much societal discord and upheaval, it was common for Romans who had settled in Britain to bury their most prized possessions.
Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0
Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0
That said, one archaeologist is of the belief that the hoard had a lot of sentimental value for the Romano-British family to whom it is believed to have belonged. In her book The Hoxne Late Roman Treasure: Gold Jewellery and Silver Plate, Catherine Johns claims that the manner in which the treasure was kept supported this claim. Some of the items which were recovered had been packaged in small, wooden boxes which were lined with leather. What’s more, pieces of wood, locks, and nails, among other things, surrounded the gold and silver pieces. This leads Catherine to assert that the package was carefully buried and not simply chucked away in a rush.
Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum
Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum
Interestingly enough, the items unearthed might shed some light on the identity of the family who owned them. They cite a gold bracelet bearing the inscription “UTERE FELIX DOMINA IULIANE,” which roughly translates to “use this happily Lady Juliane”. A second name “Aurelius Ursicinus” has also been discovered. This has consequently led some to believe that Juliane and Aurelius were the couple and the original owners of the treasure. That said, that has yet to be confirmed.
Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0
Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0
All in all, the discovery was a real treasure for archaeologists, and by extension, for Lawes. According to Smithsonian Magazine, in recognition of his discovery and willingness to contact authorities, the British government rewarded him with over £1.7 million, an amount which he shared with the farmer whose land was dug out in order to get the treasure. Funnily enough, apart from the treasure, Lawes also found his lost hammer — which now resides in the British Museum.

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