Fargo (1996) – A Darkly Hilarious and Brilliantly Crafted Crime Classic

Introduction: A Masterclass in Dark Comedy and Crime

Released in 1996, Fargo is a unique film that effortlessly blends elements of crime, drama, and dark comedy. Written and directed by the Coen brothers, Joel and Ethan, Fargo has since become one of the most iconic films of the 1990s and a standout in the crime genre. The film’s sharp wit, memorable characters, and unconventional storytelling make it a masterpiece that stands the test of time.

Set in the frigid landscapes of Minnesota and North Dakota, Fargo offers a gripping crime story that is both disturbingly violent and absurdly funny. It is a film that defies expectations, skillfully balancing moments of tension with absurdity, and creating a sense of unease wrapped in humor. This review will explore the plot, characters, themes, and lasting impact of Fargo, examining why it has earned its place as one of the most critically acclaimed films of its era.

Plot Summary: A Crime Gone Horribly Wrong

The story of Fargo begins with Jerry Lundegaard (played by William H. Macy), a financially troubled car salesman in Minneapolis who concocts a bizarre and desperate plan to solve his problems. In need of money to pay off his debts, Jerry arranges for two criminals—Carl Showalter (Steve Buscemi) and Gaear Grimsrud (Peter Stormare)—to kidnap his wife, Jean, and hold her for ransom. Jerry believes that his wealthy father-in-law, Wade Gustafson (Harve Presnell), will pay the ransom, allowing Jerry to pocket a portion of the money and resolve his financial woes.

However, things go horribly wrong. The kidnapping turns violent, and the criminals leave a trail of bodies in their wake, including the innocent lives of a state trooper and several witnesses. The situation spirals out of control as Jerry’s plan unravels, and he becomes entangled in a complex web of murder, deception, and chaos.

Amid the growing body count and criminal missteps, we are introduced to the film’s key protagonist, Marge Gunderson (Frances McDormand), a pregnant, sharp-witted police chief in the small town of Brainerd, Minnesota. Marge’s investigation into the murder spree that follows the botched kidnapping forms the central plot of the film. Her calm, methodical approach contrasts sharply with the madness of the criminals she is trying to catch, and her role as a competent and determined detective adds an element of warmth and grounded reality to the otherwise chaotic events.

What makes Fargo unique is not just the crime story, but how it subverts expectations. The film is a slow burn, allowing for moments of dark humor to emerge organically out of the absurdity of the crimes, yet it never loses sight of the dark, tragic nature of the events unfolding. The Coen brothers’ storytelling is laced with ironic humor, making the film both gripping and oddly hilarious.

Characters: A Collection of Quirky and Memorable Personalities

One of the most striking aspects of Fargo is its cast of memorable characters, each with their own unique quirks, flaws, and motivations. These eccentric characters are what elevate the film from a typical crime drama to something truly special.

• Jerry Lundegaard (William H. Macy): Jerry is a desperate, bumbling character who is simultaneously sympathetic and pitiful. Macy’s portrayal of Jerry is brilliant, capturing the character’s panic, greed, and moral incompetence. Jerry’s attempts to navigate his plan and deal with the escalating situation make for some of the film’s most darkly comedic moments, and his eventual downfall is both tragic and fitting. Jerry is the quintessential Coen brothers character—a flawed, ordinary man caught in a series of increasingly absurd circumstances.
• Marge Gunderson (Frances McDormand): Marge is the beating heart of Fargo, and Frances McDormand’s performance as the no-nonsense, pregnant police chief is nothing short of remarkable. Marge is calm, competent, and kind-hearted, and her character serves as a stark contrast to the madness around her. Her dry sense of humor, coupled with her ability to remain composed in the face of violence and chaos, makes her one of the most memorable female characters in cinematic history. McDormand won an Academy Award for Best Actress for this role, and her portrayal of Marge has become iconic for its combination of warmth and professionalism.
• Carl Showalter (Steve Buscemi) and Gaear Grimsrud (Peter Stormare): The two criminals hired to kidnap Jerry’s wife are a classic example of mismatched partners in crime. Carl, played by Steve Buscemi, is a loud-mouthed, nervous wreck, while Gaear, played by Peter Stormare, is quiet, cold, and downright menacing. Their dynamic is both hilarious and terrifying, with Buscemi’s nervous energy providing a stark contrast to Stormare’s ᴅᴇᴀᴅpan, chilling demeanor. The pair’s increasingly erratic behavior and violent missteps add a sense of absurdity to the film’s darker moments, making them unforgettable characters.
• Wade Gustafson (Harve Presnell): Jerry’s father-in-law, Wade, is a wealthy and stubborn man who becomes entangled in the kidnapping plot when he is asked to pay the ransom. Wade’s greed and arrogance are key to the unraveling of the plan, and his interactions with Jerry are both tense and darkly comic. Presnell’s portrayal of Wade is understated but effective, providing another layer of conflict to the story.

Themes: A Study of Morality, Greed, and the Absurdity of Life

At its core, Fargo is a film about the consequences of greed and the moral choices that characters make in desperate situations. Jerry’s decision to kidnap his wife and the subsequent chain of events illustrates how a simple, morally questionable decision can quickly spiral out of control, leading to devastation for everyone involved.

The film also explores the absurdity of life, and the Coen brothers excel at creating moments of dark humor that arise out of the most dire circumstances. The juxtaposition of the horrific violence with the mundane aspects of everyday life—such as Marge’s casual conversations with her husband and her polite, methodical approach to investigating the murders—adds an element of absurdity that gives the film its unique tone.

Another key theme in Fargo is the contrast between ordinary life and extraordinary circumstances. Marge, as a police officer, represents the stable, grounded nature of everyday life, while the criminals, who are driven by greed and a sense of enтιтlement, are the agents of chaos. The film underscores the idea that while the world may seem filled with chaos and violence, there are always those who try to make sense of it and maintain some semblance of order, even in the most challenging circumstances.

Cinematography and Direction: Beautifully Crafted and Unsettling

The Coen brothers’ direction of Fargo is impeccable, utilizing the vast, snow-covered landscapes of Minnesota and North Dakota to create an atmosphere that is both beautiful and haunting. The cold, empty expanses of snow serve as a metaphor for the emptiness and isolation experienced by many of the characters, especially Jerry, who is trapped in his own desperation and moral corruption.

Roger Deakins, the film’s cinematographer, does an outstanding job of capturing the bleak beauty of the Midwest. The wide sH๏τs of the snowy landscape contrast sharply with the close-ups of the characters, emphasizing their smallness in the face of the vast, indifferent world around them. The film’s cinematography adds a sense of unease to the narrative, underscoring the tension and the characters’ increasing sense of entrapment.

Soundtrack: A Haunting and Memorable Score

The soundtrack of Fargo is another key element that adds to its unique atmosphere. The film’s score, composed by Carter Burwell, is understated yet highly effective, creating a sense of foreboding and melancholy that complements the film’s themes of violence and absurdity. The music is minimalist and haunting, with the occasional use of folk and traditional melodies that evoke the cold, isolated nature of the setting.

Conclusion: A Timeless Crime Classic

Fargo is a brilliant, darkly comedic crime film that is as disturbing as it is hilarious. The Coen brothers’ unique storytelling style, combined with a standout cast, memorable characters, and a haunting atmosphere, make it a film that continues to resonate with audiences and critics alike. The movie is a masterclass in blending genre conventions, creating a world where absurdity and tragedy coexist in perfect harmony.

With unforgettable performances, a memorable script, and themes that explore the depths of human nature, Fargo remains a timeless classic in the crime genre. Its blend of dark humor and moral complexity ensures that it will continue to be celebrated for years to come as one of the finest films of the 1990s and a highlight in the Coen brothers’ storied career.

A Farmer’s Misplaced Hammer Led to the Largest Roman Treasure in Britain

---

November 16, 1992 was the day which changed Suffolk-resident Eric Lawes’ life in a huge way. What he thought would have been an innocent search for a hammer he had misplaced on his farm in Hoxne Village, Suffolk, England ended up bringing him much more than he had bargained for — namely, uncovering the hiding spot of a long-hidden treasure. Based on the Guardian’s coverage of the story, Eric Lawes had been previously gifted a metal detector upon his retirement as a parting token. He decided to put his retirement gift to good use in order to locate the hammer which he had had some trouble finding. According to a 2018 Smithsonian Magazine article, when the device started recording that there was a strong signal coming from the earth, he knew that he was about to discover something big. As he started digging, it soon became clear to him that he had unearthed a treasure trove.

The Guardian reports that, when Lawes saw that his preliminary digging had yielded a few gold coins and silver spoons, he immediately contacted both the local archaeological society and the police department. Archaeologists came to the property the following day and had the area of earth holding the treasure carefully sectioned-off and removed. Their hope was that at a later stage, in their laboratory, they could examined the items in order to identify both their age and how they were stored.

When all was said and done, close to 60 pounds of items made from silver and gold were found on the site. These included more than 15,000 Roman coins, 200 gold objects, and several silver spoons. For archaeologists, this find — which later became labeled as the Hoxne Hoard — was an incredible discovery. AP News reported that archaeologist Judith Plouviez was over-the-moon about the discovery, saying that it was “an incredibly exciting and amazing find.” What’s more, another archaeologist, Rachel Wilkinson, told Smithsonian Magazine that this discovery was “the largest and latest ever found in Britain.”

Ordinarily, archaeologists would use radiocarbon dating as a means of identifying the age of ancient relics. However, they couldn’t locate any suitable material from the haul. Consequently, they determined the age by examining writing on the coins, as well as the ruler carved into them, estimating that the treasure was probably buried in either 408 or 409 AD.

Roman-era archaeologist Peter Guest told Smithsonian Magazine that “if you look at them a little more carefully, then they should be dated to the period after the separation of Britain from the Roman Empire.” He offers as part of his evidence the fact that almost all of the coins found in the Hoxne Hoard were clipped – in other words, small chunks of their edges had been taken off. These clippings would have been used to create coins which were similar to the Roman coins of that era.

Guest has a logical reason for this, arguing that “The Roman Empire wasn’t supplying Britain with new gold and silver coins, and in light of that, the population tried to get over this sudden cutoff in the supply of their precious metals by making the existing supplies go further.”

Archaeologists also believe that the treasure belonged to a Romano-British family. During that time, considering that there was so much societal discord and upheaval, it was common for Romans who had settled in Britain to bury their most prized possessions.

That said, one archaeologist is of the belief that the hoard had a lot of sentimental value for the Romano-British family to whom it is believed to have belonged. In her book The Hoxne Late Roman Treasure: Gold Jewellery and Silver Plate, Catherine Johns claims that the manner in which the treasure was kept supported this claim. Some of the items which were recovered had been packaged in small, wooden boxes which were lined with leather. What’s more, pieces of wood, locks, and nails, among other things, surrounded the gold and silver pieces. This leads Catherine to assert that the package was carefully buried and not simply chucked away in a rush.

Interestingly enough, the items unearthed might shed some light on the identity of the family who owned them. They cite a gold bracelet bearing the inscription “UTERE FELIX DOMINA IULIANE,” which roughly translates to “use this happily Lady Juliane”. A second name “Aurelius Ursicinus” has also been discovered. This has consequently led some to believe that Juliane and Aurelius were the couple and the original owners of the treasure. That said, that has yet to be confirmed.

All in all, the discovery was a real treasure for archaeologists, and by extension, for Lawes. According to Smithsonian Magazine, in recognition of his discovery and willingness to contact authorities, the British government rewarded him with over £1.7 million, an amount which he shared with the farmer whose land was dug out in order to get the treasure. Funnily enough, apart from the treasure, Lawes also found his lost hammer — which now resides in the British Museum.