The Woman King (2022)

The Woman King, directed by Gina Prince-Bythewood, is a powerful and evocative historical drama that brings a compelling chapter of African history to life. Released in 2022, the film stars the incomparable Viola Davis as General Nanisca, a warrior whose leadership and determination anchor this tale of resilience, courage, and empowerment.


Plot Overview

Set in the 19th century Kingdom of Dahomey (modern-day Benin), the film tells the story of the Agojie, an elite all-female military regiment tasked with defending their kingdom against the encroaching forces of colonialism, rival tribes, and the devastating slave trade.

At the heart of the story is General Nanisca (Viola Davis), a seasoned and formidable leader who must navigate external threats and internal struggles to protect Dahomey’s sovereignty. As tensions rise, she takes on the responsibility of training a new generation of Agojie warriors, forging a bond with Nawi (Thuso Mbedu), a spirited recruit whose fierce determination and tragic past echo the struggles of her people.

The film intertwines Nanisca and Nawi’s journey with larger themes of legacy, the fight for freedom, and the cost of leadership.


Key Themes

  • Female Empowerment: The Agojie symbolize strength, resilience, and unity, breaking stereotypes and showcasing the power of women in history.
  • Legacy and Mentorship: The bond between Nanisca and Nawi highlights the pᴀssing of wisdom and strength across generations.
  • Resistance and Sovereignty: The film explores the courage required to resist oppression and maintain cultural integrity in the face of colonization and exploitation.
  • Personal and Collective Struggles: Through the lens of its characters, the movie examines the intersection of personal trauma and collective resilience.

Performances

  • Viola Davis as General Nanisca: A career-defining performance, Davis brings raw intensity, emotional depth, and physical prowess to her role as the fierce and compᴀssionate leader of the Agojie.
  • Thuso Mbedu as Nawi: A standout performance that captures the evolution of a young warrior learning to channel her pain into strength.
  • Lashana Lynch as Izogie: A charismatic portrayal of a seasoned warrior, bringing humor and heart to the story.
  • John Boyega as King Ghezo: Boyega shines as the visionary ruler whose decisions impact the fate of Dahomey.

Production Highlights

  • Direction: Gina Prince-Bythewood masterfully balances intimate character moments with grand, visceral action sequences.
  • Action Choreography: The battle scenes are both thrilling and grounded, emphasizing the skill and discipline of the Agojie.
  • Historical Context: The film thoughtfully engages with the complexities of Dahomey’s history, including its involvement in the slave trade.
  • Cinematography: Lush visuals capture the beauty of West Africa’s landscapes, contrasting with the harsh realities of war and oppression.
  • Score: The music, blending traditional African rhythms with cinematic orchestration, enhances the emotional and cultural resonance of the film.

Why Watch The Woman King?

  • A Unique Historical Lens: Rarely explored in mainstream cinema, the story of the Agojie offers a fresh and important perspective on African history.
  • Empowering Storytelling: The film celebrates the strength and resilience of women, making it both inspiring and deeply moving.
  • Exceptional Performances: A stellar cast led by Viola Davis delivers unforgettable portrayals of courage, leadership, and humanity.
  • Cinematic Craftsmanship: From its stunning visuals to its heart-pounding action, the film is a feast for both the eyes and the soul.

The Woman King is more than just a film—it’s a tribute to the indomitable spirit of women warriors who shaped history. With its mix of action, emotion, and historical depth, it stands as one of the most powerful and inspiring films of 2022.

A Farmer’s Misplaced Hammer Led to the Largest Roman Treasure in Britain


Hoxne Hoard treasures. Photo by Helen Simonsson CC by SA-2.0
November 16, 1992 was the day which changed Suffolk-resident Eric Lawes’ life in a huge way. What he thought would have been an innocent search for a hammer he had misplaced on his farm in Hoxne Village, Suffolk, England ended up bringing him much more than he had bargained for — namely, uncovering the hiding spot of a long-hidden treasure. Based on the Guardian’s coverage of the story, Eric Lawes had been previously gifted a metal detector upon his retirement as a parting token. He decided to put his retirement gift to good use in order to locate the hammer which he had had some trouble finding. According to a 2018 Smithsonian Magazine article, when the device started recording that there was a strong signal coming from the earth, he knew that he was about to discover something big. As he started digging, it soon became clear to him that he had unearthed a treasure trove.
Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0
Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0
The Guardian reports that, when Lawes saw that his preliminary digging had yielded a few gold coins and silver spoons, he immediately contacted both the local archaeological society and the police department. Archaeologists came to the property the following day and had the area of earth holding the treasure carefully sectioned-off and removed. Their hope was that at a later stage, in their laboratory, they could examined the items in order to identify both their age and how they were stored.
Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0
Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0
When all was said and done, close to 60 pounds of items made from silver and gold were found on the site. These included more than 15,000 Roman coins, 200 gold objects, and several silver spoons. For archaeologists, this find — which later became labeled as the Hoxne Hoard — was an incredible discovery. AP News reported that archaeologist Judith Plouviez was over-the-moon about the discovery, saying that it was “an incredibly exciting and amazing find.” What’s more, another archaeologist, Rachel Wilkinson, told Smithsonian Magazine that this discovery was “the largest and latest ever found in Britain.”
Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0
Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0
Ordinarily, archaeologists would use radiocarbon dating as a means of identifying the age of ancient relics. However, they couldn’t locate any suitable material from the haul. Consequently, they determined the age by examining writing on the coins, as well as the ruler carved into them, estimating that the treasure was probably buried in either 408 or 409 AD.
The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0
The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0
Roman-era archaeologist Peter Guest told Smithsonian Magazine that “if you look at them a little more carefully, then they should be dated to the period after the separation of Britain from the Roman Empire.” He offers as part of his evidence the fact that almost all of the coins found in the Hoxne Hoard were clipped – in other words, small chunks of their edges had been taken off. These clippings would have been used to create coins which were similar to the Roman coins of that era.
A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0
A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0
Guest has a logical reason for this, arguing that “The Roman Empire wasn’t supplying Britain with new gold and silver coins, and in light of that, the population tried to get over this sudden cutoff in the supply of their precious metals by making the existing supplies go further.”
Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0
Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0
Archaeologists also believe that the treasure belonged to a Romano-British family. During that time, considering that there was so much societal discord and upheaval, it was common for Romans who had settled in Britain to bury their most prized possessions.
Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0
Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0
That said, one archaeologist is of the belief that the hoard had a lot of sentimental value for the Romano-British family to whom it is believed to have belonged. In her book The Hoxne Late Roman Treasure: Gold Jewellery and Silver Plate, Catherine Johns claims that the manner in which the treasure was kept supported this claim. Some of the items which were recovered had been packaged in small, wooden boxes which were lined with leather. What’s more, pieces of wood, locks, and nails, among other things, surrounded the gold and silver pieces. This leads Catherine to assert that the package was carefully buried and not simply chucked away in a rush.
Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum
Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum
Interestingly enough, the items unearthed might shed some light on the identity of the family who owned them. They cite a gold bracelet bearing the inscription “UTERE FELIX DOMINA IULIANE,” which roughly translates to “use this happily Lady Juliane”. A second name “Aurelius Ursicinus” has also been discovered. This has consequently led some to believe that Juliane and Aurelius were the couple and the original owners of the treasure. That said, that has yet to be confirmed.
Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0
Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0
All in all, the discovery was a real treasure for archaeologists, and by extension, for Lawes. According to Smithsonian Magazine, in recognition of his discovery and willingness to contact authorities, the British government rewarded him with over £1.7 million, an amount which he shared with the farmer whose land was dug out in order to get the treasure. Funnily enough, apart from the treasure, Lawes also found his lost hammer — which now resides in the British Museum.

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