Movie Review: Maybe I Do (2023)

Movie Review: Maybe I Do (2023)
Plot
Maybe I Do is a romantic comedy directed by Michael Jacobs that revolves around a complicated and emotionally charged weekend getaway involving four couples at different stages of their relationships. The film explores themes of love, trust, commitment, and the complexities of modern relationships.
The story follows Michelle (played by Emma Roberts) and Allen (played by Luke Bracey), a young couple who have been dating for a while and are thinking about taking the next step in their relationship—marriage. However, the two are unsure about their future together, as doubts and insecurities creep in, especially when they learn that their parents are meeting each other for the first time over a weekend trip to a beach house.

As the weekend unfolds, Michelle and Allen’s relationship is tested as they begin to see their parents’ own complicated love lives and unresolved issues. Michelle’s mother, played by Diane Keaton, and Allen’s father, portrayed by Richard Gere, each have their own romantic entanglements and history, which complicates the interactions and forces both Michelle and Allen to confront their own feelings about love, commitment, and what they truly want in life.
The weekend becomes a blend of emotional revelations, awkward encounters, and moments of clarity that help each character come to terms with their relationships in different ways. Maybe I Do examines how the past influences the present and the role that communication—or lack thereof—plays in sustaining love.
Themes
Maybe I Do touches on several universal themes about love, relationships, and personal growth. At the forefront is the idea that love isn’t always as simple as it seems, and relationships require constant work and understanding to thrive. The film examines how love evolves, how people can fall out of sync with each other, and how vulnerability is necessary for real connection.
A major theme in the movie is generational differences in relationships. The interactions between the younger couple (Michelle and Allen) and the older generation (the parents) serve as a lens through which we see how relationships evolve, with different expectations, struggles, and understandings of love over time. Through these dynamics, the film explores the idea of whether true love exists, how it’s maintained, and whether it’s possible to grow together without losing oneself.
Another important theme is the idea of choice—whether to stay or leave, whether to settle for comfort or take a leap of faith into the unknown. Throughout the weekend, both couples and individuals are forced to reflect on their choices and what makes a relationship work in the long term. The film encourages the idea that sometimes, understanding what you truly want involves facing uncomfortable truths about yourself and your partner.

Performance
The performances in Maybe I Do are a standout feature of the film. Emma Roberts brings a grounded, relatable energy to Michelle, portraying her internal struggle and emotional journey with sincerity. Roberts effectively conveys the confusion, hope, and vulnerability that come with navigating a significant life decision like marriage.
Luke Bracey plays Allen with a mix of charm and hesitation, capturing the uncertainties of a young man who wants to take the next step but is held back by personal doubts and external pressures. The chemistry between Roberts and Bracey feels natural, with their characters’ interactions revealing a dynamic that’s both sweet and realistic.
The veteran cast members—Diane Keaton and Richard Gere—are equally impressive. Keaton, as Michelle’s mother, brings her usual warmth and wit to the role, though she also shows a more vulnerable side when her own past relationship mistakes come to light. Richard Gere, as Allen’s father, is a natural presence, adding depth to the film’s exploration of the emotional weight that comes with aging and looking back at one’s life choices. Their performances lend an extra layer of emotional resonance to the film, elevating the storytelling and making the generational themes even more impactful.

Direction and Cinematography
Michael Jacobs directs Maybe I Do with a keen understanding of the intricacies of relationships. The pacing of the film is steady, allowing the story to unfold slowly while giving the audience time to connect with the characters. The direction highlights the emotional beats of the story, focusing on the dialogue and interactions between the characters rather than relying on grand gestures or external action.
The cinematography by David M. Dunlap is understated but effective, capturing the intimate moments between the characters as well as the scenic beauty of the beach house setting. The cinematography complements the film’s themes, focusing on the characters’ faces during emotional confrontations or moments of reflection, which helps to underscore the internal struggles each person is experiencing.

Critique
While Maybe I Do offers some touching moments and a great ensemble cast, it occasionally falls into predictable romantic comedy territory. The story has its share of clichés, especially in its portrayal of misunderstandings between couples, which might feel a bit formulaic for viewers familiar with the genre. Some plot points also rely heavily on coincidences, which can detract from the film’s realism.
Another critique could be that some of the characters’ arcs feel a bit rushed or underdeveloped. While the movie touches on important themes, it sometimes doesn’t delve deeply enough into the complexities of each character’s journey. As a result, some of the emotional payoffs, while still impactful, might feel a bit surface-level to those expecting a deeper exploration of the issues the characters are grappling with.
Conclusion
Maybe I Do is a charming and thought-provoking romantic comedy that delves into the complexity of relationships, love, and the choices that shape our futures. With a talented cast, especially the standout performances of Emma Roberts, Luke Bracey, Diane Keaton, and Richard Gere, the film offers an enjoyable exploration of what it means to commit, communicate, and grow together in love.

A Farmer’s Misplaced Hammer Led to the Largest Roman Treasure in Britain


Hoxne Hoard treasures. Photo by Helen Simonsson CC by SA-2.0
November 16, 1992 was the day which changed Suffolk-resident Eric Lawes’ life in a huge way. What he thought would have been an innocent search for a hammer he had misplaced on his farm in Hoxne Village, Suffolk, England ended up bringing him much more than he had bargained for — namely, uncovering the hiding spot of a long-hidden treasure. Based on the Guardian’s coverage of the story, Eric Lawes had been previously gifted a metal detector upon his retirement as a parting token. He decided to put his retirement gift to good use in order to locate the hammer which he had had some trouble finding. According to a 2018 Smithsonian Magazine article, when the device started recording that there was a strong signal coming from the earth, he knew that he was about to discover something big. As he started digging, it soon became clear to him that he had unearthed a treasure trove.
Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0
Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0
The Guardian reports that, when Lawes saw that his preliminary digging had yielded a few gold coins and silver spoons, he immediately contacted both the local archaeological society and the police department. Archaeologists came to the property the following day and had the area of earth holding the treasure carefully sectioned-off and removed. Their hope was that at a later stage, in their laboratory, they could examined the items in order to identify both their age and how they were stored.
Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0
Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0
When all was said and done, close to 60 pounds of items made from silver and gold were found on the site. These included more than 15,000 Roman coins, 200 gold objects, and several silver spoons. For archaeologists, this find — which later became labeled as the Hoxne Hoard — was an incredible discovery. AP News reported that archaeologist Judith Plouviez was over-the-moon about the discovery, saying that it was “an incredibly exciting and amazing find.” What’s more, another archaeologist, Rachel Wilkinson, told Smithsonian Magazine that this discovery was “the largest and latest ever found in Britain.”
Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0
Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0
Ordinarily, archaeologists would use radiocarbon dating as a means of identifying the age of ancient relics. However, they couldn’t locate any suitable material from the haul. Consequently, they determined the age by examining writing on the coins, as well as the ruler carved into them, estimating that the treasure was probably buried in either 408 or 409 AD.
The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0
The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0
Roman-era archaeologist Peter Guest told Smithsonian Magazine that “if you look at them a little more carefully, then they should be dated to the period after the separation of Britain from the Roman Empire.” He offers as part of his evidence the fact that almost all of the coins found in the Hoxne Hoard were clipped – in other words, small chunks of their edges had been taken off. These clippings would have been used to create coins which were similar to the Roman coins of that era.
A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0
A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0
Guest has a logical reason for this, arguing that “The Roman Empire wasn’t supplying Britain with new gold and silver coins, and in light of that, the population tried to get over this sudden cutoff in the supply of their precious metals by making the existing supplies go further.”
Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0
Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0
Archaeologists also believe that the treasure belonged to a Romano-British family. During that time, considering that there was so much societal discord and upheaval, it was common for Romans who had settled in Britain to bury their most prized possessions.
Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0
Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0
That said, one archaeologist is of the belief that the hoard had a lot of sentimental value for the Romano-British family to whom it is believed to have belonged. In her book The Hoxne Late Roman Treasure: Gold Jewellery and Silver Plate, Catherine Johns claims that the manner in which the treasure was kept supported this claim. Some of the items which were recovered had been packaged in small, wooden boxes which were lined with leather. What’s more, pieces of wood, locks, and nails, among other things, surrounded the gold and silver pieces. This leads Catherine to assert that the package was carefully buried and not simply chucked away in a rush.
Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum
Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum
Interestingly enough, the items unearthed might shed some light on the identity of the family who owned them. They cite a gold bracelet bearing the inscription “UTERE FELIX DOMINA IULIANE,” which roughly translates to “use this happily Lady Juliane”. A second name “Aurelius Ursicinus” has also been discovered. This has consequently led some to believe that Juliane and Aurelius were the couple and the original owners of the treasure. That said, that has yet to be confirmed.
Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0
Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0
All in all, the discovery was a real treasure for archaeologists, and by extension, for Lawes. According to Smithsonian Magazine, in recognition of his discovery and willingness to contact authorities, the British government rewarded him with over £1.7 million, an amount which he shared with the farmer whose land was dug out in order to get the treasure. Funnily enough, apart from the treasure, Lawes also found his lost hammer — which now resides in the British Museum.

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