Review of The Last Trapper (2004)

The Last Trapper (2004), directed by Nicolas Vanier, is a breathtaking documentary-style film that tells the story of a solitary trapper named Norman Winther, who lives in the remote wilderness of Canada. It offers a meditative and immersive look into a vanishing way of life that is both rugged and poetic. With stunning cinematography and an understated narrative, the film focuses on the beauty of nature, survival, and the connection between man and the wild.

The film follows Winther as he lives off the land, setting traps and surviving the harsh conditions of the Northern Canadian wilderness. He spends much of his time in solitude, maintaining a deep respect for the land, the animals, and the traditions of trapping that have been pᴀssed down through generations. Winther’s quiet strength and resilience are central to the film, and he is portrayed as a man whose life is intrinsically tied to the rhythms of nature.

What stands out most in The Last Trapper is the exceptional cinematography. The film captures the raw beauty of the wilderness, from the vast snow-covered landscapes to the dense forests and tranquil rivers. The natural world becomes a character in its own right, and the film often takes its time to showcase the vastness and isolation of the environment in which Winther lives. This creates a meditative atmosphere that draws viewers into the harsh realities and silent beauty of the trapper’s life.

The film’s pacing is slow, allowing for moments of reflection and quiet observation. There is minimal dialogue, and much of the narrative is conveyed through visual storytelling and Winther’s voiceover, which adds a layer of introspection. The lack of a conventional plot gives the film an almost documentary feel, making it less about dramatic conflict and more about capturing the essence of a life lived in harmony with nature.

One of the most powerful aspects of The Last Trapper is its portrayal of the connection between the trapper and the animals he hunts. It is a relationship built on respect, necessity, and a profound understanding of nature’s cycles. The film does not shy away from showing the harsh realities of trapping, but it presents them in a way that honors the tradition and the deep knowledge required to survive in such a remote environment.

While the film might not be for everyone due to its slow pace and lack of conventional plot development, it is a deeply atmospheric and meditative experience. It will resonate with viewers who appreciate nature films or are interested in the stories of individuals who live off the land. For those seeking an action-packed, fast-paced narrative, The Last Trapper may not be the right choice, but for those open to a slower, more introspective journey, it is a visually stunning and emotionally rewarding watch.

In conclusion, The Last Trapper is a beautifully crafted film that explores themes of solitude, survival, and the profound bond between man and nature. Its serene pace and magnificent cinematography offer an immersive experience that will leave a lasting impression on those who appreciate the quiet majesty of the wilderness.

A Farmer’s Misplaced Hammer Led to the Largest Roman Treasure in Britain

Hoxne Hoard treasures. Photo by Helen Simonsson CC by SA-2.0

November 16, 1992 was the day which changed Suffolk-resident Eric Lawes’ life in a huge way. What he thought would have been an innocent search for a hammer he had misplaced on his farm in Hoxne Village, Suffolk, England ended up bringing him much more than he had bargained for — namely, uncovering the hiding spot of a long-hidden treasure. Based on the Guardian’s coverage of the story, Eric Lawes had been previously gifted a metal detector upon his retirement as a parting token. He decided to put his retirement gift to good use in order to locate the hammer which he had had some trouble finding. According to a 2018 Smithsonian Magazine article, when the device started recording that there was a strong signal coming from the earth, he knew that he was about to discover something big. As he started digging, it soon became clear to him that he had unearthed a treasure trove.

Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0

The Guardian reports that, when Lawes saw that his preliminary digging had yielded a few gold coins and silver spoons, he immediately contacted both the local archaeological society and the police department. Archaeologists came to the property the following day and had the area of earth holding the treasure carefully sectioned-off and removed. Their hope was that at a later stage, in their laboratory, they could examined the items in order to identify both their age and how they were stored.

Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0

When all was said and done, close to 60 pounds of items made from silver and gold were found on the site. These included more than 15,000 Roman coins, 200 gold objects, and several silver spoons. For archaeologists, this find — which later became labeled as the Hoxne Hoard — was an incredible discovery. AP News reported that archaeologist Judith Plouviez was over-the-moon about the discovery, saying that it was “an incredibly exciting and amazing find.” What’s more, another archaeologist, Rachel Wilkinson, told Smithsonian Magazine that this discovery was “the largest and latest ever found in Britain.”

Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0

Ordinarily, archaeologists would use radiocarbon dating as a means of identifying the age of ancient relics. However, they couldn’t locate any suitable material from the haul. Consequently, they determined the age by examining writing on the coins, as well as the ruler carved into them, estimating that the treasure was probably buried in either 408 or 409 AD.

The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0

Roman-era archaeologist Peter Guest told Smithsonian Magazine that “if you look at them a little more carefully, then they should be dated to the period after the separation of Britain from the Roman Empire.” He offers as part of his evidence the fact that almost all of the coins found in the Hoxne Hoard were clipped – in other words, small chunks of their edges had been taken off. These clippings would have been used to create coins which were similar to the Roman coins of that era.

A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0

Guest has a logical reason for this, arguing that “The Roman Empire wasn’t supplying Britain with new gold and silver coins, and in light of that, the population tried to get over this sudden cutoff in the supply of their precious metals by making the existing supplies go further.”

Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0

Archaeologists also believe that the treasure belonged to a Romano-British family. During that time, considering that there was so much societal discord and upheaval, it was common for Romans who had settled in Britain to bury their most prized possessions.

Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0

That said, one archaeologist is of the belief that the hoard had a lot of sentimental value for the Romano-British family to whom it is believed to have belonged. In her book The Hoxne Late Roman Treasure: Gold Jewellery and Silver Plate, Catherine Johns claims that the manner in which the treasure was kept supported this claim. Some of the items which were recovered had been packaged in small, wooden boxes which were lined with leather. What’s more, pieces of wood, locks, and nails, among other things, surrounded the gold and silver pieces. This leads Catherine to assert that the package was carefully buried and not simply chucked away in a rush.

Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum

Interestingly enough, the items unearthed might shed some light on the identity of the family who owned them. They cite a gold bracelet bearing the inscription “UTERE FELIX DOMINA IULIANE,” which roughly translates to “use this happily Lady Juliane”. A second name “Aurelius Ursicinus” has also been discovered. This has consequently led some to believe that Juliane and Aurelius were the couple and the original owners of the treasure. That said, that has yet to be confirmed.

Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0

All in all, the discovery was a real treasure for archaeologists, and by extension, for Lawes. According to Smithsonian Magazine, in recognition of his discovery and willingness to contact authorities, the British government rewarded him with over £1.7 million, an amount which he shared with the farmer whose land was dug out in order to get the treasure. Funnily enough, apart from the treasure, Lawes also found his lost hammer — which now resides in the British Museum.