Palm Trees in the Snow (2015)

Palm Trees in the Snow (2015)

Palm Trees in the Snow (2015) is a captivating Spanish romantic drama directed by Fernando González Molina, based on the novel Palmeras en la nieve (2012) by Luz Gabás. The film is set in both the 1950s and the present day, weaving together two distinct timelines to uncover a tale of love, family secrets, and the complex history of colonialism. Through the eyes of the protagonist, the movie explores themes of cultural idenтιтy, love across boundaries, and the emotional ties that connect generations.

The story begins with the character of Clarence (played by Adriana Ugarte), a young woman from the Spanish mainland who travels to the island of Bioko, formerly part of Spanish Guinea, in the present day. She is searching for answers about her family’s past, specifically her father’s connections to the island. Upon her arrival, she discovers a set of letters and memories that link her family to the island’s colonial history, specifically to her father’s past during the 1950s, when he lived there. These letters lead Clarence to uncover the love story between her father and a local woman, as well as the complexities of colonial relationships.

The film’s main storyline centers around the forbidden love affair between Clarence’s father, Killian (Mario Casas), a Spanish expatriate, and a local woman named Bisila (Berta Vázquez). In the 1950s, Killian works on a cocoa plantation on the island, where he becomes involved in a pᴀssionate and secretive relationship with Bisila. Their love faces immense cultural and societal challenges due to the racial and social divides created by colonialism. The movie portrays the tension between their love and the oppressive forces of colonial rule, showing the struggles they endure to be together.

Palm Trees in the Snow masterfully explores the theme of idenтιтy, particularly through Clarence’s journey. As she delves into her family’s past, Clarence begins to understand the emotional and cultural complexities that shaped her father’s life. This journey also becomes one of self-discovery, as she grapples with her own idenтιтy in relation to the colonial history of Spain and its former territories. The film paints a poignant picture of the impact that history has on personal and collective idenтιтies, highlighting the long-lasting effects of colonialism on both the colonizers and the colonized.

The performances in the film are powerful and moving. Mario Casas delivers an emotionally resonant portrayal of Killian, a man torn between love for Bisila and his loyalty to the colonial system. Berta Vázquez, as Bisila, brings depth to her character, showing the strength, resilience, and emotional complexity of a woman in love yet bound by the rigid boundaries of society. Adriana Ugarte’s performance as Clarence adds another layer of emotional depth to the film, as she uncovers painful truths about her family’s past and its impact on her own life.

The cinematography in Palm Trees in the Snow is breathtaking, capturing the natural beauty of the island of Bioko, with its lush landscapes and stunning vistas. The visual contrast between the historical and modern-day settings enhances the storytelling, as the film moves between Clarence’s present-day discoveries and the vibrant, yet painful, past of her family. The lush palm trees, the cocoa plantations, and the tropical climate all serve as symbols of both love and tragedy, representing the beauty and complexity of the story unfolding.

In conclusion, Palm Trees in the Snow is a deeply emotional and visually stunning film that explores the intertwined themes of love, history, and idenтιтy. The captivating performances, powerful storytelling, and poignant exploration of colonial legacies make it a memorable cinematic experience. Through its dual timelines and rich narrative, the film invites viewers to reflect on the personal and collective histories that shape our understanding of love, family, and cultural belonging. Palm Trees in the Snow is a timeless tale of love that transcends boundaries, reminding us of the enduring power of history and the human heart.

A Farmer’s Misplaced Hammer Led to the Largest Roman Treasure in Britain


Hoxne Hoard treasures. Photo by Helen Simonsson CC by SA-2.0
November 16, 1992 was the day which changed Suffolk-resident Eric Lawes’ life in a huge way. What he thought would have been an innocent search for a hammer he had misplaced on his farm in Hoxne Village, Suffolk, England ended up bringing him much more than he had bargained for — namely, uncovering the hiding spot of a long-hidden treasure. Based on the Guardian’s coverage of the story, Eric Lawes had been previously gifted a metal detector upon his retirement as a parting token. He decided to put his retirement gift to good use in order to locate the hammer which he had had some trouble finding. According to a 2018 Smithsonian Magazine article, when the device started recording that there was a strong signal coming from the earth, he knew that he was about to discover something big. As he started digging, it soon became clear to him that he had unearthed a treasure trove.
Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0
Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0
The Guardian reports that, when Lawes saw that his preliminary digging had yielded a few gold coins and silver spoons, he immediately contacted both the local archaeological society and the police department. Archaeologists came to the property the following day and had the area of earth holding the treasure carefully sectioned-off and removed. Their hope was that at a later stage, in their laboratory, they could examined the items in order to identify both their age and how they were stored.
Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0
Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0
When all was said and done, close to 60 pounds of items made from silver and gold were found on the site. These included more than 15,000 Roman coins, 200 gold objects, and several silver spoons. For archaeologists, this find — which later became labeled as the Hoxne Hoard — was an incredible discovery. AP News reported that archaeologist Judith Plouviez was over-the-moon about the discovery, saying that it was “an incredibly exciting and amazing find.” What’s more, another archaeologist, Rachel Wilkinson, told Smithsonian Magazine that this discovery was “the largest and latest ever found in Britain.”
Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0
Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0
Ordinarily, archaeologists would use radiocarbon dating as a means of identifying the age of ancient relics. However, they couldn’t locate any suitable material from the haul. Consequently, they determined the age by examining writing on the coins, as well as the ruler carved into them, estimating that the treasure was probably buried in either 408 or 409 AD.
The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0
The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0
Roman-era archaeologist Peter Guest told Smithsonian Magazine that “if you look at them a little more carefully, then they should be dated to the period after the separation of Britain from the Roman Empire.” He offers as part of his evidence the fact that almost all of the coins found in the Hoxne Hoard were clipped – in other words, small chunks of their edges had been taken off. These clippings would have been used to create coins which were similar to the Roman coins of that era.
A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0
A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0
Guest has a logical reason for this, arguing that “The Roman Empire wasn’t supplying Britain with new gold and silver coins, and in light of that, the population tried to get over this sudden cutoff in the supply of their precious metals by making the existing supplies go further.”
Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0
Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0
Archaeologists also believe that the treasure belonged to a Romano-British family. During that time, considering that there was so much societal discord and upheaval, it was common for Romans who had settled in Britain to bury their most prized possessions.
Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0
Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0
That said, one archaeologist is of the belief that the hoard had a lot of sentimental value for the Romano-British family to whom it is believed to have belonged. In her book The Hoxne Late Roman Treasure: Gold Jewellery and Silver Plate, Catherine Johns claims that the manner in which the treasure was kept supported this claim. Some of the items which were recovered had been packaged in small, wooden boxes which were lined with leather. What’s more, pieces of wood, locks, and nails, among other things, surrounded the gold and silver pieces. This leads Catherine to assert that the package was carefully buried and not simply chucked away in a rush.
Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum
Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum
Interestingly enough, the items unearthed might shed some light on the identity of the family who owned them. They cite a gold bracelet bearing the inscription “UTERE FELIX DOMINA IULIANE,” which roughly translates to “use this happily Lady Juliane”. A second name “Aurelius Ursicinus” has also been discovered. This has consequently led some to believe that Juliane and Aurelius were the couple and the original owners of the treasure. That said, that has yet to be confirmed.
Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0
Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0
All in all, the discovery was a real treasure for archaeologists, and by extension, for Lawes. According to Smithsonian Magazine, in recognition of his discovery and willingness to contact authorities, the British government rewarded him with over £1.7 million, an amount which he shared with the farmer whose land was dug out in order to get the treasure. Funnily enough, apart from the treasure, Lawes also found his lost hammer — which now resides in the British Museum.

Related Posts

The Anunnaki (2025)

Get ready for a mind-bending adventure in The Return of the Anunnaki, a thrilling sci-fi epic that explores humanity’s ancient origins and its potential future. The Anunnaki,…

An underrated romance: Lady Chatterley’s Lover 2022

A story well ahead of its time, We follow the life of Lady Chatterley, a woman born to a life of wealth and privilege, who soon finds…

L’Amant (1992)

L’Amant (1992), also known as The Lover, is a French film directed by Jean-Jacques Annaud, adapted from the novel L’Amant by Marguerite Duras. The film is set…

Liebe und Verlangen (Love and Desire) (2019)

Liebe und Verlangen (Love and Desire) is a 2003 German television film that explores themes of love, desire, and societal expectations. The story centers around Karen, the…

Screen Gems reflects on The Dreamers (2003)

Michael Pitt is so memorable in this Bertolucci cinematic “delight”! The Dreamers is a romantic drama directed by the legendary Bernardo Bertolucci. The screenplay is by Gilbert…

Jamie and Jessie Are Not Together (2011)

Jamie and Jessie Are Not Together (2011) is a romantic dramedy about two best friends, Jamie and Jessie, whose close bond is complicated by unspoken feelings. Jamie…