We Are What We Are (2013), directed by Jim Mickle, is a slow-burning horror thriller that delves into themes of family, tradition, and survival with unsettling precision. A remake of the 2010 Mexican film of the same name, this version shifts the setting to rural America, creating a gothic, rain-soaked atmosphere that enhances its eerie tone.

The story follows the Parker family, who live in isolation and adhere to a disturbing ritual pᴀssed down for generations. When their mother unexpectedly dies, the responsibility of maintaining their secretive traditions falls upon the two teenage daughters, Iris (Ambyr Childers) and Rose (Julia Garner). As a storm threatens their home and the local doctor (Michael Parks) begins to investigate the disappearance of townspeople, the family’s dark secrets start to unravel.

What sets We Are What We Are apart from typical horror films is its restraint. Mickle relies on mood, tension, and haunting visuals rather than jump scares. The cinematography is stark and atmospheric, capturing the oppressive dread of the Parker household. The performances are quietly compelling, with Childers and Garner portraying the inner turmoil of daughters torn between duty and horror. Bill Sage, as their father, exudes a controlled menace, making him an imposing yet tragic figure.

The film builds to a chilling and brutal climax, delivering an unsettling conclusion that lingers long after the credits roll. Beneath its horror elements, it subtly critiques blind adherence to tradition, making it more than just a gruesome tale.

Though its pacing might feel slow for viewers expecting more conventional horror, We Are What We Are rewards patience with a richly atmospheric and deeply disturbing experience. It’s a must-watch for fans of psychological horror and slow-burn thrillers