ORPHAN (2009)

“Orphan,” released in 2009, is a chilling psychological horror film directed by Jaume Collet-Serra and written by David Leslie Johnson, based on a story by Alex Mace. The film stars Vera Farmiga and Peter Sarsgaard as Kate and John Coleman, a couple who, after the tragic loss of their own child, decide to adopt a 9-year-old girl named Esther, portrayed by Isabelle Fuhrman. The film’s unsettling exploration of themes such as grief, deception, and the darker aspects of human nature makes it a standout entry in the horror genre.

The narrative begins with a heart-wrenching scene that sets the tone for the film. Kate, a recovering alcoholic, struggles to cope with the loss of her daughter, and her husband, John, wants to help her heal by expanding their family. They decide to adopt a child from an orphanage, where they meet Esther, a seemingly intelligent and talented girl with a pᴀssion for art. Initially, Esther appears to be the perfect addition to their family, displaying charm and sophistication beyond her years.

However, as the story unfolds, it becomes clear that Esther is not what she seems. Her behavior becomes increasingly erratic, and she begins to manipulate those around her, particularly targeting Kate, who grows suspicious of Esther’s intentions. The tension escalates as Esther’s dark past is gradually revealed, showcasing her unsettling obsession with John and her disdain for Kate. This psychological game of cat and mouse keeps the audience on edge, as they are drawn into the complexities of Esther’s character and the chilling atmosphere that surrounds her.

Isabelle Fuhrman delivers a haunting performance as Esther, skillfully portraying the character’s unsettling blend of innocence and malice. Her ability to oscillate between vulnerability and menace adds layers to the role, making Esther a captivating and terrifying figure. Vera Farmiga shines as Kate, embodying the character’s emotional turmoil and desperation as she grapples with the reality of her adopted daughter. The dynamic between Kate and Esther is particularly compelling, as it encapsulates the film’s exploration of motherhood, trust, and the protective instincts that arise in the face of danger.

Peter Sarsgaard plays John Coleman, who initially remains oblivious to the growing threat posed by Esther. His character serves as a counterbalance to Kate’s increasingly paranoid perceptions, creating tension within their marriage as Kate’s concerns are dismissed. The film effectively explores the strain that trauma and grief can place on relationships, illustrating how differing perspectives can lead to misunderstandings and conflict.

The film’s direction by Jaume Collet-Serra is notable for its effective use of suspense and atmosphere. The cinematography captures the eerie ambiance of the Coleman home, utilizing dim lighting and shadow to create a sense of foreboding. Collet-Serra expertly builds tension through carefully crafted scenes that lead to shocking revelations, keeping viewers engaged and invested in the unfolding drama. The pacing is skillfully handled, with moments of calm interrupted by sudden bursts of horror that leave audiences breathless.

Another significant aspect of “Orphan” is its exploration of psychological themes, particularly the nature of evil and the impact of trauma. As Esther’s true idenтιтy is revealed, the film raises questions about the origins of her malevolence and the potential for darkness within all individuals. The narrative delves into the complexities of mental illness, abuse, and the consequences of unresolved trauma, adding depth to the horror elements and prompting viewers to reflect on the nature of the characters’ actions.

The film’s climax is both shocking and thought-provoking, culminating in a series of intense confrontations that reveal the depths of Esther’s deception. The twist ending is a defining moment that leaves audiences stunned and questioning everything they thought they knew about the characters. It challenges perceptions of innocence and villainy, showcasing how appearances can be deceiving.

Upon its release, “Orphan” received mixed reviews from critics but has since gained a following among horror enthusiasts for its unique premise and strong performances. It stands out in a genre often characterized by formulaic plots, offering a fresh take on the psychological horror narrative. The film’s ability to blend horror with emotional depth resonates with viewers, making it a memorable entry in the genre.

In conclusion, “Orphan” is a gripping psychological horror film that skillfully combines suspense, strong performances, and thought-provoking themes. With its exploration of motherhood, trauma, and the nature of evil, the film transcends typical horror tropes, leaving a lasting impression on audiences. The unsettling character of Esther serves as a chilling reminder of the complexities of human nature and the darkness that can lurk beneath the surface. For fans of psychological thrillers, “Orphan” is a must-see that continues to haunt long after the credits roll.

A Farmer’s Misplaced Hammer Led to the Largest Roman Treasure in Britain


Hoxne Hoard treasures. Photo by Helen Simonsson CC by SA-2.0
November 16, 1992 was the day which changed Suffolk-resident Eric Lawes’ life in a huge way. What he thought would have been an innocent search for a hammer he had misplaced on his farm in Hoxne Village, Suffolk, England ended up bringing him much more than he had bargained for — namely, uncovering the hiding spot of a long-hidden treasure. Based on the Guardian’s coverage of the story, Eric Lawes had been previously gifted a metal detector upon his retirement as a parting token. He decided to put his retirement gift to good use in order to locate the hammer which he had had some trouble finding. According to a 2018 Smithsonian Magazine article, when the device started recording that there was a strong signal coming from the earth, he knew that he was about to discover something big. As he started digging, it soon became clear to him that he had unearthed a treasure trove.
Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0
Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0
The Guardian reports that, when Lawes saw that his preliminary digging had yielded a few gold coins and silver spoons, he immediately contacted both the local archaeological society and the police department. Archaeologists came to the property the following day and had the area of earth holding the treasure carefully sectioned-off and removed. Their hope was that at a later stage, in their laboratory, they could examined the items in order to identify both their age and how they were stored.
Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0
Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0
When all was said and done, close to 60 pounds of items made from silver and gold were found on the site. These included more than 15,000 Roman coins, 200 gold objects, and several silver spoons. For archaeologists, this find — which later became labeled as the Hoxne Hoard — was an incredible discovery. AP News reported that archaeologist Judith Plouviez was over-the-moon about the discovery, saying that it was “an incredibly exciting and amazing find.” What’s more, another archaeologist, Rachel Wilkinson, told Smithsonian Magazine that this discovery was “the largest and latest ever found in Britain.”
Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0
Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0
Ordinarily, archaeologists would use radiocarbon dating as a means of identifying the age of ancient relics. However, they couldn’t locate any suitable material from the haul. Consequently, they determined the age by examining writing on the coins, as well as the ruler carved into them, estimating that the treasure was probably buried in either 408 or 409 AD.
The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0
The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0
Roman-era archaeologist Peter Guest told Smithsonian Magazine that “if you look at them a little more carefully, then they should be dated to the period after the separation of Britain from the Roman Empire.” He offers as part of his evidence the fact that almost all of the coins found in the Hoxne Hoard were clipped – in other words, small chunks of their edges had been taken off. These clippings would have been used to create coins which were similar to the Roman coins of that era.
A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0
A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0
Guest has a logical reason for this, arguing that “The Roman Empire wasn’t supplying Britain with new gold and silver coins, and in light of that, the population tried to get over this sudden cutoff in the supply of their precious metals by making the existing supplies go further.”
Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0
Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0
Archaeologists also believe that the treasure belonged to a Romano-British family. During that time, considering that there was so much societal discord and upheaval, it was common for Romans who had settled in Britain to bury their most prized possessions.
Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0
Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0
That said, one archaeologist is of the belief that the hoard had a lot of sentimental value for the Romano-British family to whom it is believed to have belonged. In her book The Hoxne Late Roman Treasure: Gold Jewellery and Silver Plate, Catherine Johns claims that the manner in which the treasure was kept supported this claim. Some of the items which were recovered had been packaged in small, wooden boxes which were lined with leather. What’s more, pieces of wood, locks, and nails, among other things, surrounded the gold and silver pieces. This leads Catherine to assert that the package was carefully buried and not simply chucked away in a rush.
Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum
Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum
Interestingly enough, the items unearthed might shed some light on the identity of the family who owned them. They cite a gold bracelet bearing the inscription “UTERE FELIX DOMINA IULIANE,” which roughly translates to “use this happily Lady Juliane”. A second name “Aurelius Ursicinus” has also been discovered. This has consequently led some to believe that Juliane and Aurelius were the couple and the original owners of the treasure. That said, that has yet to be confirmed.
Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0
Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0
All in all, the discovery was a real treasure for archaeologists, and by extension, for Lawes. According to Smithsonian Magazine, in recognition of his discovery and willingness to contact authorities, the British government rewarded him with over £1.7 million, an amount which he shared with the farmer whose land was dug out in order to get the treasure. Funnily enough, apart from the treasure, Lawes also found his lost hammer — which now resides in the British Museum.

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