The Great Beauty (2013)

The Great Beauty (original тιтle La Grande Bellezza) is a 2013 Italian art-house drama directed by Paolo Sorrentino, who co-wrote the screenplay. The film, sH๏τ in the stunning city of Rome, explores themes of decadence, existential reflection, and the search for meaning in a life of excess. With its visually striking cinematography, thought-provoking narrative, and philosophical undertones, The Great Beauty offers a powerful meditation on beauty, art, and the pᴀssage of time. The film premiered at the 2013 Cannes Film Festival, where it competed for the prestigious Palme d’Or.

The story follows Jep Gambardella, played by Toni Servillo, a middle-aged journalist and novelist who has spent most of his life immersed in the glamorous and superficial world of Rome’s elite social scene. Jep, once an aspiring writer, now spends his days attending extravagant parties, indulging in luxury, and reflecting on his past. His journey of self-discovery begins after the death of an old friend, prompting him to confront the emptiness of his life and seek a deeper sense of purpose. The film takes viewers on a visual and emotional journey as Jep grapples with the choices he has made and the fleeting nature of beauty.

At its core, The Great Beauty is a film about the search for meaning in a world of fleeting pleasures. Jep’s life of excess and indulgence reflects the emptiness that often accompanies fame and wealth. As Jep revisits his past, he begins to question the superficiality of the world around him and his own role in it. The film’s exploration of art, culture, and the pursuit of beauty is deeply philosophical, asking profound questions about the nature of happiness, fulfillment, and the human condition. Sorrentino masterfully contrasts Jep’s hedonistic lifestyle with moments of introspection, creating a poignant narrative that speaks to the universal quest for meaning.

Toni Servillo’s performance as Jep Gambardella is a standout aspect of the film. His portrayal of a man caught between nostalgia for a lost past and the realization of the emptiness in his present is both complex and captivating. Servillo captures Jep’s cynicism and wit while also revealing his vulnerability and longing for something deeper. His character serves as a mirror for the audience, prompting reflection on their own lives and the choices they make. The supporting cast, including Sabrina Ferilli and Carlo Verdone, also deliver strong performances, adding to the film’s emotional resonance.

One of the most striking elements of The Great Beauty is its breathtaking cinematography. SH๏τ on location in Rome, the film makes full use of the city’s historic landmarks and breathtaking vistas, turning the city into a character in itself. The visuals are stunning, with sweeping sH๏τs of the city’s iconic architecture, lush gardens, and glamorous parties, all set against a backdrop of breathtaking sunsets and picturesque streets. The film’s cinematography not only highlights Rome’s beauty but also emphasizes the contrast between the city’s opulence and the internal emptiness of the characters. The imagery in The Great Beauty enhances its themes of beauty, transience, and the pᴀssage of time.

The film’s soundtrack, featuring classical music and contemporary compositions, also plays a significant role in setting its tone. The music complements the film’s elegant visuals and introspective narrative, adding emotional depth to Jep’s journey. The soundtrack helps convey the film’s atmosphere of melancholy and reflection, heightening the emotional impact of key scenes. Through its music, The Great Beauty underscores the contrast between the fleeting nature of the pleasures Jep experiences and the enduring beauty that surrounds him.

In conclusion, The Great Beauty is a visually stunning and thought-provoking film that delves into the complexities of life, beauty, and the human desire for meaning. Paolo Sorrentino’s masterful direction, combined with Toni Servillo’s exceptional performance and the film’s breathtaking cinematography, makes it a standout in contemporary cinema. The film’s philosophical exploration of existential themes and its meditation on the fleeting nature of beauty resonate deeply with viewers, leaving a lasting impact. The Great Beauty is a cinematic masterpiece that invites reflection on the nature of happiness, the pᴀssage of time, and the pursuit of a life well-lived.

A Farmer’s Misplaced Hammer Led to the Largest Roman Treasure in Britain


Hoxne Hoard treasures. Photo by Helen Simonsson CC by SA-2.0
November 16, 1992 was the day which changed Suffolk-resident Eric Lawes’ life in a huge way. What he thought would have been an innocent search for a hammer he had misplaced on his farm in Hoxne Village, Suffolk, England ended up bringing him much more than he had bargained for — namely, uncovering the hiding spot of a long-hidden treasure. Based on the Guardian’s coverage of the story, Eric Lawes had been previously gifted a metal detector upon his retirement as a parting token. He decided to put his retirement gift to good use in order to locate the hammer which he had had some trouble finding. According to a 2018 Smithsonian Magazine article, when the device started recording that there was a strong signal coming from the earth, he knew that he was about to discover something big. As he started digging, it soon became clear to him that he had unearthed a treasure trove.
Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0
Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0
The Guardian reports that, when Lawes saw that his preliminary digging had yielded a few gold coins and silver spoons, he immediately contacted both the local archaeological society and the police department. Archaeologists came to the property the following day and had the area of earth holding the treasure carefully sectioned-off and removed. Their hope was that at a later stage, in their laboratory, they could examined the items in order to identify both their age and how they were stored.
Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0
Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0
When all was said and done, close to 60 pounds of items made from silver and gold were found on the site. These included more than 15,000 Roman coins, 200 gold objects, and several silver spoons. For archaeologists, this find — which later became labeled as the Hoxne Hoard — was an incredible discovery. AP News reported that archaeologist Judith Plouviez was over-the-moon about the discovery, saying that it was “an incredibly exciting and amazing find.” What’s more, another archaeologist, Rachel Wilkinson, told Smithsonian Magazine that this discovery was “the largest and latest ever found in Britain.”
Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0
Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0
Ordinarily, archaeologists would use radiocarbon dating as a means of identifying the age of ancient relics. However, they couldn’t locate any suitable material from the haul. Consequently, they determined the age by examining writing on the coins, as well as the ruler carved into them, estimating that the treasure was probably buried in either 408 or 409 AD.
The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0
The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0
Roman-era archaeologist Peter Guest told Smithsonian Magazine that “if you look at them a little more carefully, then they should be dated to the period after the separation of Britain from the Roman Empire.” He offers as part of his evidence the fact that almost all of the coins found in the Hoxne Hoard were clipped – in other words, small chunks of their edges had been taken off. These clippings would have been used to create coins which were similar to the Roman coins of that era.
A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0
A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0
Guest has a logical reason for this, arguing that “The Roman Empire wasn’t supplying Britain with new gold and silver coins, and in light of that, the population tried to get over this sudden cutoff in the supply of their precious metals by making the existing supplies go further.”
Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0
Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0
Archaeologists also believe that the treasure belonged to a Romano-British family. During that time, considering that there was so much societal discord and upheaval, it was common for Romans who had settled in Britain to bury their most prized possessions.
Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0
Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0
That said, one archaeologist is of the belief that the hoard had a lot of sentimental value for the Romano-British family to whom it is believed to have belonged. In her book The Hoxne Late Roman Treasure: Gold Jewellery and Silver Plate, Catherine Johns claims that the manner in which the treasure was kept supported this claim. Some of the items which were recovered had been packaged in small, wooden boxes which were lined with leather. What’s more, pieces of wood, locks, and nails, among other things, surrounded the gold and silver pieces. This leads Catherine to assert that the package was carefully buried and not simply chucked away in a rush.
Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum
Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum
Interestingly enough, the items unearthed might shed some light on the identity of the family who owned them. They cite a gold bracelet bearing the inscription “UTERE FELIX DOMINA IULIANE,” which roughly translates to “use this happily Lady Juliane”. A second name “Aurelius Ursicinus” has also been discovered. This has consequently led some to believe that Juliane and Aurelius were the couple and the original owners of the treasure. That said, that has yet to be confirmed.
Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0
Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0
All in all, the discovery was a real treasure for archaeologists, and by extension, for Lawes. According to Smithsonian Magazine, in recognition of his discovery and willingness to contact authorities, the British government rewarded him with over £1.7 million, an amount which he shared with the farmer whose land was dug out in order to get the treasure. Funnily enough, apart from the treasure, Lawes also found his lost hammer — which now resides in the British Museum.

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