All of Us Strangers (2023)

All of Us Strangers (2023) is a British romantic fantasy film written and directed by Andrew Haigh, based on the 1987 novel Strangers by Taichi Yamada. The film stars Andrew Scott, Paul Mescal, Jamie Bell, and Claire Foy in a poignant and emotionally charged narrative that explores themes of love, idenтιтy, and unresolved grief. The film follows the story of a man named Adam (played by Andrew Scott) who, after losing his parents years ago, has the chance to reconnect with them under mysterious circumstances. The film’s blend of romance, fantasy, and deep emotional exploration creates a powerful cinematic experience.

The plot centers around Adam, a screenwriter living in London, who begins to experience strange occurrences following the death of his parents. While struggling with feelings of isolation and unprocessed grief, Adam unexpectedly meets his parents, who appear as though they have never died. They are not the people Adam remembers, but rather younger versions of themselves, and their reunion takes a fantastical turn. As Adam navigates the complexities of this reunion, he begins to confront unresolved issues from his past, including his strained relationships with his family and his search for love and idenтιтy. The film unfolds as Adam grapples with the mystical return of his parents, while also navigating his romantic feelings for his neighbor, Harry (played by Paul Mescal).

Andrew Scott’s portrayal of Adam is emotionally layered and heartbreaking, capturing the internal conflict of a man trying to reconcile his past with his present. Adam’s journey of self-discovery and healing unfolds slowly throughout the film, and Scott’s nuanced performance adds depth to his character’s emotional turmoil. Paul Mescal plays Harry, Adam’s love interest, who becomes both a source of comfort and an enigmatic figure in Adam’s quest for understanding. The chemistry between Scott and Mescal is palpable, adding an intimate and romantic layer to the film’s fantastical elements. The performances of Jamie Bell and Claire Foy, who portray Adam’s parents, also provide a captivating contrast, representing the ghosts of the past that haunt Adam’s present.

At its core, All of Us Strangers is about love and idenтιтy, both in the context of familial relationships and romantic connections. Adam’s reunion with his parents forces him to confront the love he has lost, as well as the complicated feelings he holds toward them. This emotional journey allows Adam to explore his own sense of self, especially in relation to the people who shaped him. The relationship between Adam and Harry adds a layer of romantic exploration, with both characters struggling with their own personal idenтιтies and the vulnerability that comes with love. The film portrays how love, in all its forms, can be both healing and painful, offering a delicate exploration of how we seek to understand and connect with others.


All of Us Strangers plays with the boundaries between fantasy and reality, creating a dreamlike atmosphere that enhances its emotional impact. The mysterious return of Adam’s parents presents a surreal twist, and the film blurs the lines between what is real and what is imagined. This fantasy element raises questions about memory, loss, and the desire for closure. As Adam navigates these fantastical encounters, the film highlights how the past continues to shape our present reality, even when we believe we have moved on. The blending of these elements creates a poignant and reflective tone, allowing the audience to experience Adam’s emotional journey from a deeply personal perspective.


Andrew Haigh’s direction in All of Us Strangers is both sensitive and captivating, drawing the audience into Adam’s emotional world with a careful balance of realism and fantasy. The film’s pacing allows for moments of introspection, creating space for the characters to explore their feelings while still maintaining an overarching narrative of mystery and discovery. The cinematography, with its muted color palette and intimate close-ups, underscores the emotional depth of the characters’ experiences. Haigh’s use of subtle visual cues helps to create an atmosphere that is both dreamlike and grounded in the characters’ emotional realities. The film’s soundtrack further enhances its mood, adding a layer of melancholy and reflection.


In conclusion, All of Us Strangers is a deeply moving and thought-provoking film that explores the complexities of love, loss, and idenтιтy. With powerful performances from its cast, especially Andrew Scott and Paul Mescal, the film offers a unique blend of fantasy and romance that resonates on a deeply emotional level. Andrew Haigh’s direction and the film’s delicate handling of its themes make it a memorable cinematic experience, one that lingers long after the credits roll. Through its exploration of family, love, and the search for self-understanding, All of Us Strangers invites viewers to reflect on their own relationships and the ways in which the past continues to shape our present lives.

A Farmer’s Misplaced Hammer Led to the Largest Roman Treasure in Britain


Hoxne Hoard treasures. Photo by Helen Simonsson CC by SA-2.0
November 16, 1992 was the day which changed Suffolk-resident Eric Lawes’ life in a huge way. What he thought would have been an innocent search for a hammer he had misplaced on his farm in Hoxne Village, Suffolk, England ended up bringing him much more than he had bargained for — namely, uncovering the hiding spot of a long-hidden treasure. Based on the Guardian’s coverage of the story, Eric Lawes had been previously gifted a metal detector upon his retirement as a parting token. He decided to put his retirement gift to good use in order to locate the hammer which he had had some trouble finding. According to a 2018 Smithsonian Magazine article, when the device started recording that there was a strong signal coming from the earth, he knew that he was about to discover something big. As he started digging, it soon became clear to him that he had unearthed a treasure trove.
Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0
Hoxne Village. Photo by Duncan Grey CC BY-SA 2.0
The Guardian reports that, when Lawes saw that his preliminary digging had yielded a few gold coins and silver spoons, he immediately contacted both the local archaeological society and the police department. Archaeologists came to the property the following day and had the area of earth holding the treasure carefully sectioned-off and removed. Their hope was that at a later stage, in their laboratory, they could examined the items in order to identify both their age and how they were stored.
Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0
Hoxne Hoard: Display case at the British Museum showing a reconstruction of the arrangement of the hoard treasure when excavated in 1992. Photo by Mike Peel CC BY-SA 4.0
When all was said and done, close to 60 pounds of items made from silver and gold were found on the site. These included more than 15,000 Roman coins, 200 gold objects, and several silver spoons. For archaeologists, this find — which later became labeled as the Hoxne Hoard — was an incredible discovery. AP News reported that archaeologist Judith Plouviez was over-the-moon about the discovery, saying that it was “an incredibly exciting and amazing find.” What’s more, another archaeologist, Rachel Wilkinson, told Smithsonian Magazine that this discovery was “the largest and latest ever found in Britain.”
Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0
Hoxne Hoard: Coins. Photo by Mike Peel CC BY-SA 4.0
Ordinarily, archaeologists would use radiocarbon dating as a means of identifying the age of ancient relics. However, they couldn’t locate any suitable material from the haul. Consequently, they determined the age by examining writing on the coins, as well as the ruler carved into them, estimating that the treasure was probably buried in either 408 or 409 AD.
The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0
The silver “Hoxne Tigress” – the broken-off handle from an unknown object – is the best known single piece out of some 15,000 in the hoard. Photo by Mike Peel CC BY-SA 4.0
Roman-era archaeologist Peter Guest told Smithsonian Magazine that “if you look at them a little more carefully, then they should be dated to the period after the separation of Britain from the Roman Empire.” He offers as part of his evidence the fact that almost all of the coins found in the Hoxne Hoard were clipped – in other words, small chunks of their edges had been taken off. These clippings would have been used to create coins which were similar to the Roman coins of that era.
A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0
A silver-gilt spoon with a marine beast from the Hoxne Hoard. Currently in the British Museum. Photo by JMiall CC BY-SA 3.0
Guest has a logical reason for this, arguing that “The Roman Empire wasn’t supplying Britain with new gold and silver coins, and in light of that, the population tried to get over this sudden cutoff in the supply of their precious metals by making the existing supplies go further.”
Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0
Reconstruction of the Hoxne treasure chest. Photo by Mike Peel CC-BY-SA-4.0
Archaeologists also believe that the treasure belonged to a Romano-British family. During that time, considering that there was so much societal discord and upheaval, it was common for Romans who had settled in Britain to bury their most prized possessions.
Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0
Two gold bracelets from the Hoxne Hoard, in the British Museum. Photo by Fæ CC BY-SA 3.0
That said, one archaeologist is of the belief that the hoard had a lot of sentimental value for the Romano-British family to whom it is believed to have belonged. In her book The Hoxne Late Roman Treasure: Gold Jewellery and Silver Plate, Catherine Johns claims that the manner in which the treasure was kept supported this claim. Some of the items which were recovered had been packaged in small, wooden boxes which were lined with leather. What’s more, pieces of wood, locks, and nails, among other things, surrounded the gold and silver pieces. This leads Catherine to assert that the package was carefully buried and not simply chucked away in a rush.
Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum
Three silver-gilt Roman piperatoria or pepper pots from the Hoxne Hoard on display at the British Museum
Interestingly enough, the items unearthed might shed some light on the identity of the family who owned them. They cite a gold bracelet bearing the inscription “UTERE FELIX DOMINA IULIANE,” which roughly translates to “use this happily Lady Juliane”. A second name “Aurelius Ursicinus” has also been discovered. This has consequently led some to believe that Juliane and Aurelius were the couple and the original owners of the treasure. That said, that has yet to be confirmed.
Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0
Two toiletry items, one in the shape of a crane-like bird; the other with an empty socket, probably for bristles for a makeup brush. Photo by Fæ CC BY-SA 3.0
All in all, the discovery was a real treasure for archaeologists, and by extension, for Lawes. According to Smithsonian Magazine, in recognition of his discovery and willingness to contact authorities, the British government rewarded him with over £1.7 million, an amount which he shared with the farmer whose land was dug out in order to get the treasure. Funnily enough, apart from the treasure, Lawes also found his lost hammer — which now resides in the British Museum.

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