This is a spoiler-free review of Season 2, Episodes 1 and 2 of House of the Dragon; read on after the main review for thoughts on Episodes 3 and 4. Season 2 premieres on HBO and Max at 9pm ET on Sunday, June 16. Reviews of new episodes will post Sunday nights through August 4.
When House of the Dragon premiered in 2022, co-showrunner Ryan Condal promised a pace akin to the barnstorming middle seasons of Game of Thrones. More recently Condal (who’s now flying solo after longtime GoT hand Miguel Sapochnik stepped back) has said that season 2 will have a burning fuse running through it, setting off small charges before – presumably – a major, final blaze. The first two episodes of the new season are certainly a slow burn, and might have done with a bit more fuel on the fire in between their climactic moments.
We return to Westeros for an opening salvo that’s focused on personal grief and the looming prospect of hostilities between Targaryen factions. Neither mourning “black” queen Rhaenyra (Emma D’Arcy) or guilt-ridden “green” queen Alicent (Olivia Cooke) is making optimal decisions following the killing of Rhaenyra’s son, Lucerys, by Aemond Targaryen (Ewan Mitchell) in the first season finale. But they at least remember a time when they were friends, and while they’re both unrelenting in their battle for the Iron Throne, they’re consistently the cooler heads.
Around them, though, schemers and scoundrels jostle for power and revenge. Matt Smith’s Daemon remains the most interesting character, capable of ruthless murder one minute and unusual tenderness the next, but he’s closely followed by his entirely devious but increasingly weary opposite, Otto Hightower (Rhys Ifans). Tom Glynn-Carney’s King Aegon is given a few moments of humanity here to make up for his unrelieved venality last season, but he’s still intensely unlikeable and very much in the same mould as King Joffrey Baratheon. The grieving Velaryons, Corlys (Steve Toussaint) and Rhaenys (Eve Best), remain the coolest and most charismatic pairing here, and though their granddaughter Baela (Bethany Antonia) looks like she could attain their level of badᴀssery in time, the three have precious little screen time between them in which to display it.
House of the Dragon therefore remains a little short on people to truly root for at this point; you’d give Aemond’s eye for another Tyrion, another Brienne. Rhaenyra is sympathetic in her anguish, but isolated by her position and angry at a world that has turned against her – so much that it’s hard to deeply invest in her. Her eldest surviving son, Jacaerys (Harry Collett), seems promising, channelling a sort of Chalamet-as-Paul-Atreides energy as he completes the mission he was dispatched on last season and mourns his brother with his family. Then again, good heartedness is not necessarily a survival trait in this world, so perhaps it’s best he not show much more depth.
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