Up in arms: Mexican archaeological bureau denounces damage to at least one mummy in Guanajuato’s famous museum

Mexico’s National Insтιтute of Anthropology and History (INAH) has accused Guanajuato’s Museo de las Momias of not following conservation protocol in a recent reconfiguration of its displays, resulting in damage to at least one of its mummies.

The museum—located in a 16th-century town that is a Unesco World Heritage site around 400km northwest of Mexico City—is famous for its collection of 117 naturally mummified bodies, half of which are on display. The mummies were exhumed from the adjacent mid-19th century Santa Paula Cemetery starting in 1870 after family members of the deceased stopped paying burial fees; the bodies had dehydrated as a result of the region’s dry, H๏τ climate.

With the mummies’ growing popularity among visitors who frequented the cemetery, authorities decided to open a museum in 1969. Controversies at the museum are nothing new, ranging from how the corpses are handled and toured to halted plans for a new venue and the museum’s perceived commercial exploitation of death.

Recently, a rearranging of the museum’s interior space sparked the ire of INAH, which questioned the conservation protocols followed by the museum’s staff and condemned local authorities for their unwillingness to share the project’s plans beforehand. After INAH’s experts inspected the site, they confirmed that there was new damage to at least one of the mummies, known as “The Stabbed One”, whose right arm had reportedly come off. “While the mummy was already damaged, its injuries are now more severe,” INAH said in a statement.

“The Stabbed One” allegedly had an arm fall off while being moved to its current horizontal position at the Museo de las Momias in Guanajuato, MexicoPH๏τo: Courtesy the Government of the City of Guanajuato

City authorities, who have jurisdiction over the museum and its collection, refute the claim that any harm resulted from the museum’s four-month-long redesign, which involved changing the mummies from a vertical to a horizontal position and adding warm light to the displays.

“The renovations brought no new damage to the mummies,” Jesús Antonio Borja Pérez, Guanajuato’s director of culture and education, tells The Art Newspaper. “For years the mummies deteriorated due to their exhibition and visitors’ affinity for touching them or taking souvenirs, such as bits of clothing. It was only in the early 2000s when they were protected by glᴀss. In this renovation, we followed previous recommendations of INAH’s experts to place the bodies horizontally, and they were handled by experienced museum staff.”

Over the years, INAH and local authorities have signed collaborative agreements to preserve and study the mummies. In 2021, the federal government launched a large-scale research project aiming to uncover the idenтιтies of the mummies through forensic analysis.

“While the archival work has concluded, intent on revealing the individual stories of each corpse instead of knowing them by their nicknames, the forensic study is planned for later this year,” says Ilán Leboreiro, a biological anthropologist and part of INAH’s research commission of Guanajuato’s mummies. “General recommendations, such as horizontal placement, have been shared informally, but each body requires particular conditions to ensure its preservation. The pending forensic study will establish the guidelines, which are up to the museum to apply.”

The mummies at the Museo de las Momias in Guanajuato, Mexico, used to be displayed verticallyPH๏τo: Courtesy the Government of the City of Guanajuato

At the heart of this controversy lies a concern for the dignified preservation of the naturally dehydrated bodies, whose display initially resulted from visitors’ curiosity—or morbid interest—but over time have become part of the idenтιтy of the city and its legends. There is even a regional mummy-shaped brown-sugar candy, charamusca. However, the ongoing debate also reveals a political rift between the federal enтιтy INAH and local authorities, each run by opposing political factions.

Economic implications may also be at play. While Guanajuato’s is not the only collection of naturally mummified bodies in the country, it is a very popular tourist destination. Just last year, the museum reported 500,000 visitors, bringing in more than $2.4m. “The museum represents the city’s second most important source of income after property taxes,” Borja says.

All of these issues are only accentuated by Mexico’s upcoming general election on 2 June.

But even with this heated controversy, INAH and local authorities are willing to continue collaborating to ensure the preservation of the mummies, some of which are kept off site. “We are open to starting the next phase of the forensic study of INAH’s ongoing research project,” Borja says.

For its part, INAH says: “There is goodwill in working jointly to ensure the caring of one of the most important heritage symbols of the people of Guanajuato.”

Related Posts

Remarkable Discovery: 500-Year-Old Incan Mummy Sporting a Feather Headdress Found Near Lima

An Ancient Cemetery Revealed In a remarkable archaeological find near Lima, Peru, thousands of Inca mummies have been uncovered from a significant ancient cemetery located beneath a…

The Inlaid Eye of the Seated Scribe: A Marvel of Ancient Egyptian Craftsmanship

The Seated Scribe, an iconic piece of ancient Egyptian art dating back to the Old Kingdom (circa 2600-2350 BCE), stands as one of the finest examples of…

The Lion Fortress: A Kingdom Carved from Fear and Dream

In the heart of Sri Lanka, a stone giant rises from the encircling jungle. This is Sigiriya, the Lion Rock, a colossal volcanic plug that bears the…

The Stone Sentinel: A Dream of the Desert

In the painted badlands of southern Utah, where the earth is a furnace and the sky a vast, unbroken blue, a silent army of stone stands in…

The Balancing Giant: A Sentinel of Ice and Time

In the vast, untamed silence of Baffin Island, where the sky meets the earth in a stark and endless horizon, a stone giant keeps its watch. This…

The Chand Baori Stepwell – India’s Geometric Gateway to the Underworld

Deep in the arid heartland of Rajasthan, in the village of Abhaneri near Jaipur, lies one of the most extraordinary architectural and engineering marvels of ancient India…