In The Last Hunt in the Amazon (2026), a ruthless corporate task force led by ex‑black‑ops tracker Cole Ward (John Cena) is sent deep into protected rainforest to “recover lost assets” — coded language for wiping out a hidden Indigenous village standing in the way of a multibillion‑dollar project. A defiant eco‑journalist (Megan Fox) forces her way onto the mission, claiming she has proof that something in this region has been killing off entire units for years.

Quick, suffocating cuts rip through the trailer: helicopters threading between emerald‑green towers of trees; a logging camp found abandoned, tools still running; heat‑vision scans showing something circling the team; riverboats gliding past totems made of skulls and roots; Fox filming as the canopy turns black with storm clouds; Cena aiming into the undergrowth as whispering voices rise.

As traps close in and the jungle itself seems to move, hunter and hunted blur until no one is sure what the real enemy is. In the final, chilling shot, Cena stands alone in waist‑deep water at dusk, red dots drifting across his chest like fireflies, while a colossal shadow rises behind him in the trees—before the screen slams to black. Early buzz calls it a savage, nerve‑shredding 9/10 survival thriller with raw tension and brutal atmosphere.