Brad Pitt and George Clooney’s Wolfs sequel is CANCELED by Apple TV+ after ‘$200M’ original flopped

 Brad Pitt and George Clooney will not be teaming up anytime soon again as their sequel for Wolfs has been canceled by Apple TV+ despite being announced months ago.

The news came just months after the original film – which was rumored to have cost upwards of $200m – had flopped despite reports of it being the most expensive TV movie of all-time. 

The two A-listers had worked on the film alongside director Jon Watts in what was touted as AppleTV’s biggest premiere in the streamer’s history.

The 43-year-old filmmaker was promoting Star Wars series Skeleton Crew when he revealed the news.

He told Collider on Friday: ‘I don’t know what I’m directing next, and I don’t think there’s going to be a Wolfs sequel.’

Variety also confirmed that plans have been scrapped’ for the sequel.

Brad Pitt and George Clooney will not be teaming up anytime soon again as their sequel for Wolfs has been canceled by Apple TV+ despite being announced months ago

Brad Pitt and George Clooney will not be teaming up anytime soon again as their sequel for Wolfs has been canceled by Apple TV+ despite being announced months ago  

Three months ago the film had been optioned for a sequel weeks before making its world premiere at the 81st Venice International Film Festival

It was revealed by THR In August that Wolfs director/screenwriter Watts had scored a new deal with Apple to helm a sequel to the upcoming action-comedy.

Read More Eva Longoria ‘kicks ᴀss’ and has ‘brᴀss balls’ says George Clooney article image

At the time, ᴅᴇᴀᴅline confirmed that Pitt and Clooney will reprise their roles for the follow-up project.

As part of the the big announcement, it was also revealed that Wolfs will premiere on Apple TV+ on September 27 following a limited one-week theatrical release through Sony.

Wolfs was originally meant to transition from a wide theatrical release before debuting on Apple TV+ but those plans had changed.

Pitt and Clooney were reportedly paid $35 million each to act in the caper film, and had insisted on a release in cinemas. 

 But makers Apple had a change of heart and the film, which insiders say cost up to $200 million all in, is now only being released in cinemas in the US for one week.

In all other territories it will go straight to streaming, making it easily the most expensive TV film ever made.

The two A-listers had worked on the film alongside director Jon Watts in what was touted as AppleTV's biggest premiere in the streamer's history

The two A-listers had worked on the film alongside director Jon Watts in what was touted as AppleTV’s biggest premiere in the streamer’s history

The 43-year-old filmmaker was promoting Star Wars series Skeleton Crew when he revealed the news. He told Collider on Friday: 'I don’t know what I’m directing next, and I don’t think there’s going to be a Wolfs sequel'; Pitt and Clooney are seen at the LA premiere in September

The 43-year-old filmmaker was promoting Star Wars series Skeleton Crew when he revealed the news. He told Collider on Friday: ‘I don’t know what I’m directing next, and I don’t think there’s going to be a Wolfs sequel’; Pitt and Clooney are seen at the LA premiere in September

Apple’s change of heart follows a run of expensive films made by the streamer – including Napoleon, Killers of the Flower Moon and Argylle – all flopping at the cinema.

Clooney denied that their fees were as high as $35 million, saying the true figure was ‘many many millions below’ that amount.

But he added that it was a ‘bummer’ the way it had worked out.

He said: ‘We would have liked that, we wanted that, and Brad and I gave some of our salary back to do that. We have had some bumps along the way, and that happens.

‘It’s a bummer, of course it’s a bummer, but a lot of people are going to see the film and we are getting a release in a few hundred theatres. It would have been nice to get a wider release.’

He said that the economics of streaming are still being ‘figured out’ but added: ‘We are figuring it out. We need Apple and Amazon and they need Sony or Warners who have been doing it for 100 years.’

Upon release of the original film, the  buddy-cop feature had been eviscerated by critics, who have branded it a one-star ‘messy’ dud and an ‘unbearable comedy.’

Wolfs follows the two Ocean’s Eleven co-stars as they are forced to begrudgingly work together to ‘fix’ a problem that arises when a tough-on-crime DA wakes up with a ᴅᴇᴀᴅ 20-something with whom she was having a one-night stand.

Pitt and Clooney were reportedly paid $35 million each to act in the caper film, and had insisted on a release in cinemas but it ultimately was released on the AppleTV+ streaming service; the two are seen arriving for the Venice Film Festival premiere in September

Pitt and Clooney were reportedly paid $35 million each to act in the caper film, and had insisted on a release in cinemas but it ultimately was released on the AppleTV+ streaming service; the two are seen arriving for the Venice Film Festival premiere in September

But critics say the movie — which had a record-breaking budget for any streaming film — falls flat, with IGN’s Siddhant Adlakha slamming it as a ‘slick student film from a rich teen who’s subsisted on a media diet of early Guy Ritchie.’

The Guardian’s Xan Brooks also wrote that the ‘joke might be on’ director Jon Watts, who made a fortune off of the Marvel Cinematic Universe’s Spider-Man trilogy, ‘because what he’s made is basically the film of the meme in which two Spideys point at each other.’ 

And The Telegraph’s Robbie Collin called the film ‘messy,’ writing: ‘George Clooney recently complained that Quentin Tarantino doesn’t consider him a movie star. If he makes more films like this, Clooney will soon prove Tarantino right.’ 

Adlakha writes that the problems with the film, which debuted in Venice Sunday night, ‘arise early and frequently.’

He and the other critics say Watts seemed to have banked on Clooney’s and Pitt’s star-status to make it a box office hit, with a lackluster plot and a ‘half-baked script with little humor or heart.’

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