See (2019–2022) 

In a world gone blind centuries after a virus wiped out sight, humanity’s survivors scrape by on touch, sound, and scent—until twins are born who can see. Jason Momoa is Baba Voss, the grizzled warrior chieftain with a voice like thunder and fists to match, sworn to protect his sighted kids from a queen who’d burn the world to keep vision a heresy. Alfre Woodard’s Paris, his wise midwife wife, grounds the chaos with quiet strength, while Hera Hilmar’s Maghra hides royal secrets that could topple tribes.
Apple TV+ threw money at the screen: massive battles in pouring rain where warriors clash by hearing alone, rope bridges over roaring rivers, and ritual fights that feel primal and brutal. The production design is insane—costumes stitched from bones and leather, villages built into cliffs, every footstep crunching leaves like gunfire. Momoa roars through it all, but the real thrill is the sensory immersion: how do you fight what you can’t see? How do you hide when silence betrays you?
Three seasons of tribal warfare, witch hunts, and slow-burn revelations. Flawed (pacing drags in S2, some lore gets messy), but bold as hell and unlike anything else on TV. A visceral reminder that losing one sense might just sharpen all the others.
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