A ghost black‑site called THE LABYRINTH reconfigures itself every 60 minutes—walls slide, doors swap, maps lie. When a witness goes dark inside, Ray Breslin is pulled back in. Sable Hart, a black‑ops cryptanalyst with a past in the system, is already trapped; Kane “Lock” Locke is the only man reckless enough to break in while Ray orchestrates the way out.

Quick cuts: rotating corridor with magnetic ankle rails, elevator free‑fall timed to a lock cycle, flood‑cell rising to the throat, server vault hidden behind a firing range, and a cargo‑crane run across open sea spray as the prison tilts.

The warden is an algorithm—ARGUS—auctioning inmates as leverage in real time. Ray chalks the rule: Room. Route. Reset. On the last cycle, all doors open—or none. Final beat: Ray snaps a flare, Kane rips a hatch, Sable kills the grid—“You wrote a maze. We rewrote the map.” Cut to black.