“Where salvation ends… his war begins.” That tagline slithers like brimstone smoke, yanking Keanu Reeves’ John Constantine from 2005’s cult shadows into a fractured Heaven-Hell haze. Angels plummet like fallen comets, demons claw through rain-slick cracks—Constantine’s battered soul teeters on redemption’s razor, haunted by lost love (Rachel Weisz’s Angela echoes?) and unwanted fate. Every chain-smoked drag, every exorcism’s glow? A mirror to his marrow: “Sometimes, the only way to save the light… is to walk deeper into the dark.” Chills. Tilda Swinton’s Gabriel? Winged whisperer twisting the veil thinner. Weisz? Ethereal anchor amid the abyss.

Francis Lawrence (OG director) helms the chaos, script by Akiva Goldsman—pitched to DC Studios in early 2025, greenlit as Elseworlds (outside Gunn’s DCU reboot). Reeves campaigned for decades: “We’ve got a story they said ‘OK’ to—now scripting.” Gunn’s chatted it out: “Discussed on & off—no script yet, but promising.” Peter Stormare’s Lucifer? Locked for brimstone banter. Shia LaBeouf’s Chas? Rumored resurrection. No 2025 drop—eyes 2027 amid DC shuffle.

Gothic grit, cosmic carnage, soul-stirring stakes—Constantine’s crown jewel. Who’s betting on Gabriel’s fall? Spill!

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