The pension‑skimming cartel grows fangs: COLONY 2.0 runs the “Queen Protocol,” laundering billions and buying power through micro‑donations. Adam Clay (Statham) resurfaces to cut the line—only to meet the Beekeepers’ own marshal (Johnson), ordered to bring him in before his crusade burns the whole apiary. Scarlett Johansson is Elara Pike, a razor‑calm Treasury cyber‑sleuth with the hex‑keys to crack the ledger—and a price on her head. Alliances sting and switch.

Set pieces snap: a glass‑apiary atrium brawl that detonates into a living cloud ; a honey‑tanker hijack turning a mountain switchback into a slipstream; a trading floor mapped as a hex‑grid where elevators reshuffle mid‑fight; a sugar refinery showdown—Clay’s knives vs. Stone’s sledge; rooftops across London signaling with smoker plumes; and a Thames night run on an armored barge while drones stitch the sky. Comb‑etched blades, wax‑sealed drives, timing tight as a swarm turning in unison.