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The Nun 3 pushes the Conjuring Universe deeper into gothic horror, focusing less on jump scares and more on dread that slowly creeps under the skin. Rather than trying to shock every few minutes, the film builds a heavy, oppressive atmosphere that lingers long after the credits roll.

The story once again follows Sister Irene as she confronts Valak’s return, but this time the threat feels more personal and relentless. The narrative leans into religious symbolism, guilt, and faith under pressure, creating a sense that evil is not just haunting places—but people.

Visually, The Nun 3 is its strongest yet. Dark corridors, candle-lit cathedrals, and decaying monasteries are used effectively to create tension. The camera work often lingers in silence, forcing the audience to search the shadows, which makes the horror more psychological than physical.

The scares are more restrained but better timed. When jump scares happen, they feel earned rather than cheap. Valak remains a terrifying presence, not because of constant appearances, but because of how rarely and deliberately the film uses her.

That said, the pacing can feel slow at times, and some side characters lack depth. Viewers expecting nonstop terror may find the film more atmospheric than frightening.

Overall, The Nun 3 is a solid improvement over its predecessors. It understands that fear comes from anticipation, not noise, and delivers a darker, more confident chapter in the franchise.

Rating: 7.5/10